Claude Debussy was a rare phenomenon — a composer profoundly and subversively revolutionary...
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Wilfrid Mellers, Foreword to Images: The Piano Music of Claude Debussy (2001), p. xiClaude Debussy
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Among all our musical masters, l should say, Claude Debussy was the least weighed upon by the dead hand of formula. Yet neither was he an improviser. This latter art, indeed, among all the compositional techniques, is the one most servile to rules of thumb. Debussy's operation was more thorough. Like any Frenchman building a bridge or cooking a meal, painting a picture or laying out a garden, he felt, he imagined, he reasoned, he constructed—and in that order.
Claude Debussy
When Claude Debussy studied at the Paris Conservatory from age ten to age twenty-two, many considered him a rebel because of his treatment of dissonance and his disdain for the established forms. He reputedly turned to a fellow student during a performance of Beethoven with the words, “Let’s go. He’s starting to develop.”
Claude Debussy
The Sea of Debussy does not call for many words of comment. The three parts of which it is composed are entitled From Dawn till Noon, Play of the Waves and Dialogue of the Wind and the Sea, but as far as any pictorial suggestiveness is concerned, they might as well have been entitled On the Flatiron Building, Slumming in the Bowery and A Glimpse of Chinatown During a Raid. Debussy's music is the dreariest kind of rubbish. Does anybody for a moment doubt that Debussy would not write such chaotic, meaningless, cacophonous, ungrammatical stuff, if he could invent a melody?... Even his orchestration is not particularly remarkable.
Claude Debussy
This is all strictly against regulations, of course, and Marie-Claude should never have asked you in. And naturally, I should have turned you out the second I knew you were here. But Marie-Claude doesn’t care much for their regulations these days, and I must say, neither do I.
Kazuo Ishiguro
The attempt to revive styles that have existed in former ages, may for a time appear to be successful, but experience may now surely teach us its impossibility. I might put on a suit of Claude Lorraine's clothes and walk into the street, and the many who knew Claude but slightly would pull off their hats to me, but I should at last meet with some one, more intimately acquainted with him, who would expose me to the contempt I merited.
John Constable
Debussy, Claude
Debye, Peter
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