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Claude Debussy

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When Claude Debussy studied at the Paris Conservatory from age ten to age twenty-two, many considered him a rebel because of his treatment of dissonance and his disdain for the established forms. He reputedly turned to a fellow student during a performance of Beethoven with the words, “Let’s go. He’s starting to develop.”
--
Ruth Ruggles Akers, in "Vive la France, March 19" at The Tallahassee Symphony Orchestra site (2010)

 
Claude Debussy

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Among all our musical masters, l should say, Claude Debussy was the least weighed upon by the dead hand of formula. Yet neither was he an improviser. This latter art, indeed, among all the compositional techniques, is the one most servile to rules of thumb. Debussy's operation was more thorough. Like any Frenchman building a bridge or cooking a meal, painting a picture or laying out a garden, he felt, he imagined, he reasoned, he constructed—and in that order.

 
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Claude Debussy was a rare phenomenon — a composer profoundly and subversively revolutionary...

 
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The Sea of Debussy does not call for many words of comment. The three parts of which it is composed are entitled From Dawn till Noon, Play of the Waves and Dialogue of the Wind and the Sea, but as far as any pictorial suggestiveness is concerned, they might as well have been entitled On the Flatiron Building, Slumming in the Bowery and A Glimpse of Chinatown During a Raid. Debussy's music is the dreariest kind of rubbish. Does anybody for a moment doubt that Debussy would not write such chaotic, meaningless, cacophonous, ungrammatical stuff, if he could invent a melody?... Even his orchestration is not particularly remarkable.

 
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This is all strictly against regulations, of course, and Marie-Claude should never have asked you in. And naturally, I should have turned you out the second I knew you were here. But Marie-Claude doesn’t care much for their regulations these days, and I must say, neither do I.

 
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Say that you hire me to mow your lawn and afterwards you pay me $30. What I have earned might be thought of as certificates of performance, i.e. proof that I served you. With these certificates of performance in hand, I visit my grocer and demand 3 pounds of steak and a six-pack of beer that my fellow man produced. In effect, the grocer asks, "Williams, you're demanding that your fellow man, as ranchers and brewers, serve you; what did you do in turn to serve your fellow man?" I say, "I mowed my fellow man’s lawn." The grocer says, "Prove it!" That's when I hand over my certificates of performance -- the $30.

 
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