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Christopher Paolini

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Characters are born from necessity.

 
Christopher Paolini

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It's a universal tendency in films to be more about sex and violence than the real world is, but I would pose the opposite question: Why are so many characters that you see on TV so desexualized? A lot of them seem to be completely asexual — especially animated characters — and it implies that those characters are normal. The characters in Aeon Flux are normal people who have normal sex lives and appetites.

 
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Unlike most wars, which make rotten fiction in themselves — all plot and no characters, or made-up characters — Vietnam seems to be the perfect mix: the characters make the war, and the war unmakes the characters. The gods, fates, furies had a relatively small hand in it. The mess was man-made, a synthetic, by think tank out of briefing session.

 
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What interested me was how much of a departure this was in that you have three interesting, across the generations, female characters, literally riding alongside the male characters. Also the emotional and psychological depth of the characters was, for me, a lot richer than I've seen in a western. But never once did it sacrifice the thrill of the chase. So it was a journey into the unknown for me.

 
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There are two kinds of characters in all fiction, the born and the synthetic. If the writer has to ask himself questions — is he tall, is he short? — he had better quit.

 
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Love is... born with the pleasure of looking at each other, it is fed with the necessity of seeing each other, it is concluded with the impossibility of separation!

 
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