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Charles Churchill

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Apt alliteration's artful aid.
--
The Prophecy of Famine: A Scots Pastoral (1763), line 86.

 
Charles Churchill

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Well, I think it is accidental. It’s just something I started doing naturally and it had a lot to do with reading. I think that Dylan Thomas, his prose and poetry, was a big influence on me. Just his use of words… He would use so many odd words: like these three- and four-syllable words that you just don’t normally hear. And they’re not used in a manner that sets the text apart from the reader. Rather they’re drawing the reader in. It’s entirely based on the alliteration of the word itself—onomatopoeia and things like that. I feel like a lot of the words I use don’t stick out in the song because they keep the feel of the song in mind. The rhythm—that’s the primary thing. They’re put in there for rhythm and alliteration as much as they are for meaning. And as long as they are not used extraneously, they’re real lightning rods for people listening to the lyrics. If the words are really helping out the rhythm of the song then all they’re going to do is draw the listener in even more

 
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Careless she is with artful care,
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The cup goes round:
And who so artful as to put it by!
'T is long since Death had the majority.

 
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Jesus is too colossal for the pen of phrasemongers, however artful. No man can dispose of Christianity with a bon mot.

 
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