The 1990s brought a widespread backlash against this rigid feminist orthodoxy [in American academia]. For many, it was personified by Camille Paglia, a professor at an obscure university in Philadelphia, who, in her 1990 book Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson, as well as in scores of essays and interviews, dismissed women’s contributions to Western culture (“There are no female Mozarts”) and mocked the “weepy, whiny, white middle-class ideology” of the “Stalinist” feminist movement under Gloria Steinem, which Paglia reviled for its intellectual vacuity, sexual puritanism, and hostility to men -- not to mention its obsessive victim mentality, which, in her view, only served to reinforce Victorian stereotypes. For Paglia, women, far from being the weaker sex, were gifted by nature with an innate power over men -- the power of sex. […] The feminist establishment, however, chose not to learn from but to vilify Paglia and company. And Women’s Studies, unable to answer them, all but ignored them.
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Bruce Bawer (2012), The Victim’s Revolution: The Rise of Identity Studies and the Closing of the Liberal Mind. NY: Broadside Books, pp. 78-79Camille Paglia
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The literary critic Camille Paglia argues that sexuality is by nature aggressive. “My theory,” she says [on page 3 of Sexual Personae] “is that whenever sexual freedom is sought or achieved, sadomasochism will not be far behind.” She attacks feminists who believe that sex is all sugar and spice and that it is patriarchal society that makes sex violent. Sex, for Paglia, is about power; society is not the source of sexual violence; sex, the irrepressible natural force, is. If anything, society is the force that inhibits the natural violence of sex. Paglia is certainly more accurate than those who deny that perversion is rife with aggression. But in assuming that sex is fundamentally aggressive, and sadomasochistic, she doesn’t allow for the plasticity of human sexuality. Just because sex and aggression can unite in a plastic brain, and appear “natural,” doesn’t mean that that is their only possible expression.
Camille Paglia
Scholars who refuse to toe the feminist line are also ignored... The iconoclastic Camille Paglia appears [only] once [...], in Women’s Realities, Women’s Choices, and is described as someone who “assails feminists for what she regards as dull rhetoric.”
Camille Paglia
When I mentioned to friends that I was heading to Philadelphia to meet Camille Paglia, I realized the degree of animosity she provokes. She was contemptuously dismissed, often by people who had never read her work. Others seemed torn by her … Some praised her as fresh and profound, but even more dismissed her as outrageous and repugnant. … Despite such opinions, in person and in context instead of in sound bites, Paglia is often reasonable, witty and likable … She is also correct in at least one of her assessments — that she, like such loudmouths as Rush Limbaugh, Howard Stern and Ross Perot, helps to encourage discourse and free speech in a country that needs all it can get.
Camille Paglia
The person that made this newfound pursuit of intellectual engagement invigorating and sexy was Camille Paglia. Her book, Sexual Personae, made me realize how little I really had learned in college. Her articles and assorted writings began to open my mind to the fraud that is higher education in America.
Camille Paglia
It is very rare these days to hear anyone praising masculinity. The dissident feminist writer Camille Paglia is a refreshing example. Her observations are effective antidotes to the surfeit of disparagements.
Camille Paglia
Paglia, Camille
Pahlavi, Muhammad Reza
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