The Apollonian and Dionysian, two great western principles, govern sexual personae in life and art. My theory is this: Dionysus is identification, Apollo objectification. Dionysus is the empathic, the sympathetic, emotion transporting us into other people, other palaces, other times. Apollo is the hard, cold separation of western personality and categorical thought. Dionysus is energy, ecstasy, hysteria, promiscuity, emotionalism -- heedless indiscriminateness of idea or practice. Apollo is obsessiveness, voyeurism, idolatry, fascism -- frigidity and aggression of the eye, petrification of objects. … The quarrel between Apollo and Dionysus is the quarrel between the higher cortex and the older limbic and reptilian brains.
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p. 96Camille Paglia
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Who and from where are you Dionysus?
Since by the true Bacchus,
I do not recognize you; I know only the son of Zeus.
While he smells like nectar, you smell like a goat.
Can it be then that the Celts because of lack of grapes
Made you from cereals? Therefore one should call you
Demetrius, not Dionysus, rather wheat born and Bromus,
Not Bromius.Julian (Emperor)
True myth may serve for thousands of years as an inexhaustible source of intellectual speculation, religious joy, ethical inquiry, and artistic renewal. The real mystery is not destroyed by reason. The fake one is. You look at it and it vanishes. You look at the Blond Hero — really look — and he turns into a gerbil. But you look at Apollo, and he looks back at you. The poet Rilke looked at a statue of Apollo about fifty years ago, and Apollo spoke to him. “You must change your life,” he said. When true myth rises into consciousness, that is always its message. You must change your life.
Ursula K. Le Guin
The Orestia shows that society is a defense against nature. Everything intelligible -- institutions, objects, persons, ideas -- is the result of Apollonian clarification, adjudication, and action. Western politics, science, psychology and art are creations of arrogant Apollo. Through every century, winning or losing, western mind has struggled to keep nature at bay. The Orestia’s sexist transition from matriarchy to patriarchy records the rebellion every imagination must make against nature. Without that rebellion, we as a species are condemned to regression or stasis. Even rebelling, we cannot get far. But vying with fate is godlike.
Camille Paglia
All the Apollo people were working hard, working long hours, and were dedicated to making certain everything they did, they were doing to the very best of their ability.
Neil Armstrong
I'm actually a rather shy individual. I wouldn't consider myself to be very charismatic; I never did anything hero-like, I just worked on some little community programs. I do have a role to play however — I'm a theorist of sorts — I work on theories. But I really do not enjoy discussing the details of my personal life except as it relates to the movement. I hate cameras, microphones stuck up in my face. To tell you the truth, I hate stages cause they put you up on a stage and expect for you to entertain them and I keep trying to tell them I'm not an entertainer. Came to New York and I was supposed to speak at the Apollo Theater — 125th Street. And somebody called me, said, "Huey, we gonna have to cancel the rally. Somebody's gonna assassinate you from the balcony." I said, "Listen, if I'm ever foolish enough to get up on stage at the Apollo Theatre, they wouldn't need to assassinate me. That man will just come out and hook me off the stage." What's his name? The sandman? Yeah, the sandman cometh.
Huey P. Newton
Paglia, Camille
Pahlavi, Muhammad Reza
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