Sunday, December 22, 2024 Text is available under the CC BY-SA 3.0 licence.

Brandon Boyd

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"I was in a bookstore, browsing through an old Life magazine, when I saw a picture of what the article called spontaneous human combustion. There were an old guy's legs and shoes, perfectly intact...then, right around his knee area, was just a pile of charred ashes. I was going through some turmoil in my life, both good and bad, and the image struck a chord, so...I wrote a song about it."
--
On writing the song Pardon Me

 
Brandon Boyd

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I talked to Paul McCartney over the years ranging from 1967 to 2004. ... At the landmine show he did "God Only Knows" with me and I did "Let It Be" with him. And then I called him about four months ago asking him if he could come out and do — sing a song called "A Friend Like You," which I wrote for him, me and my collaborator wrote for him. And he said he'd love to come out. And he came to the studio and that was one of the bigger thrills of my life to tell you the truth, to produce Paul McCartney. And that was a thrill for me. That was a thrill.

 
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It started out — my mom and dad took a little vacation to Mexico and they left $250 for food. But instead of food we went and bought some instruments. We got a bass, guitar and a set of drums. ... I was 19. Dennis was 15. Carl was 17. Mike was 18. Al was 19. And so we wrote a song called "Surfin'" in my living room. We were all playing and singing and Mike and I wrote a song called "Surfin'" and that's how it all started.

 
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So, if you played a C major chord to pretty much any person on the planet, they'd say that it sounds "harmonious" (or pleasing, or happy, etc, etc). But now when you want to put chords and melodies in an ordering and make a larger piece called a "song", then that is a much more difficult process, and gets very subjective. At that point, it's not just the chords, it's the lyrics, rhythms, instrumentation, tempo, intensity, any number of other things that goes into a song... so many variables that it's almost impossible to predict how a song will affect a given person.

 
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There is something within all of us that causes us to cry out with Ovid, the Latin poet, "I see and approve the better things of life, but the evil things I do." There is something within all of us that causes us to cry out with Plato that the human personality is like a charioteer with two headstrong horses, each wanting to go in different directions. There is something within each of us that causes us to cry out with Goethe, "There is enough stuff in me to make both a gentleman and a rogue." There is something within each of us that causes us to cry out with Apostle Paul, "I see and approve the better things of life, but the evil things I do." So somehow the "isness" of our present nature is out of harmony with the eternal "oughtness" that forever confronts us. And this simply means this: That within the best of us, there is some evil, and within the worst of us, there is some good. When we come to see this, we take a different attitude toward individuals. The person who hates you most has some good in him; even the nation that hates you most has some good in it; even the race that hates you most has some good in it. And when you come to the point that you look in the face of every man and see deep down within him what religion calls "the image of God," you begin to love him in spite of. No matter what he does, you see God’s image there. There is an element of goodness that he can never sluff off. Discover the element of good in your enemy. And as you seek to hate him, find the center of goodness and place your attention there and you will take a new attitude.

 
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