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I am of the firm belief that everybody could write books and I never understand why they don't. After all, everyone speaks. Once the grammar has been learnt it is simply talking on paper and in time learning what not to say.
--
James Vinson & D. L. Kirkpatrick (eds.), Contemporary Novelists, 2nd edition, (London: St. James Press, 1976).

 

Beryl Bainbridge

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The question we writers are asked most often, the favorite question, is: Why do you write? I write because I have an innate need to write. I write because I can’t do normal work as other people do. I write because I want to read books like the ones I write. I write because I am angry at everyone. I write because I love sitting in a room all day writing. I write because I can partake of real life only by changing it. I write because I want others, the whole world, to know what sort of life we lived, and continue to live, in Istanbul, in Turkey. I write because I love the smell of paper, pen, and ink. I write because I believe in literature, in the art of the novel, more than I believe in anything else. I write because it is a habit, a passion. I write because I am afraid of being forgotten. I write because I like the glory and interest that writing brings. I write to be alone. Perhaps I write because I hope to understand why I am so very, very angry at everyone. I write because I like to be read. I write because once I have begun a novel, an essay, a page I want to finish it. I write because everyone expects me to write. I write because I have a childish belief in the immortality of libraries, and in the way my books sit on the shelf. I write because it is exciting to turn all life’s beauties and riches into words. I write not to tell a story but to compose a story. I write because I wish to escape from the foreboding that there is a place I must go but—as in a dream—can’t quite get to. I write because I have never managed to be happy. I write to be happy.

 

Orhan Pamuk

 

I don't know of any thing in my book to be criticised on by honourable men. Is it on my spelling? — that's not my trade. Is it on my grammar ? — I hadn't time to learn it, and make no pretensions to it. Is it on the order and arrangement of my book ? — I never wrote one before, and never read very many; and, of course, know mighty little about that. Will it be on the authorship of the book? — this I claim, and I hang on to it, like a wax plaster. The whole book is my own, and every sentiment and sentence in it. I would not be such a fool, or knave either, as to deny that I have had it hastily run over by a friend or so, and that some little alterations have been made in the spelling and grammar; and I am not so sure that it is not the worse of even that, for I despise this way of spelling contrary to nature. And as for grammar, it's pretty much a thing of nothing at last, after all the fuss that's made about it. In some places, I wouldn't suffer either the spelling, or grammar, or any thing else to be touch'd; and therefore it will be found in my own way.
But if any body complains that I have had it looked over, I can only say to him, her, or them — as the case may he — that while critics were learning grammar, and learning to spell, I, and "Doctor Jackson, L.L.D." were fighting in the wars; and if our hooks, and messages, and proclamations, and cabinet writings, and so forth, and so on, should need a little looking over, and a little correcting of the spelling and the grammar to make them fit for use, its just nobody's business. Big men have more important matters to attend to than crossing their ts—, and dotting their i's—, and such like small things.

 

Davy Crockett

 

His grammar is foolishly correct, offensively precise. It flaunts itself in the reader's face all along, and struts and smirks and shows off, and is in a dozen ways irritating and disagreeable. To be serious, I write good grammar myself, but not in that spirit, I am thankful to say. That is to say, my grammar is of a high order, though not at the top. Nobody's is. Perfect grammar—persistent, continuous, sustained—is the fourth dimension, so to speak: many have sought it, but none has found it.

 

Samuel Langhorne (Mark Twain) Clemens

 

His grammar is foolishly correct, offensively precise. It flaunts itself in the reader's face all along, and struts and smirks and shows off, and is in a dozen ways irritating and disagreeable. To be serious, I write good grammar myself, but not in that spirit, I am thankful to say. That is to say, my grammar is of a high order, though not at the top. Nobody's is. Perfect grammar—persistent, continuous, sustained—is the fourth dimension, so to speak: many have sought it, but none has found it.

 

Mark Twain

 

Becoming an artist does not merely mean learning something, acquiring professional techniques and methods. Indeed, as someone has said, in order to write well you have to forget the grammar. (p88)

 

Andrei Tarkovsky