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Ben Gibbard

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I once knew a girl
In the years of my youth
With eyes like the summer
All beauty and truth
In the morning I fled
Left a note and it read
Someday you will be loved.
--
Someday You Will Be Loved

 
Ben Gibbard

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I recognised that I was (and I confessed) in that attitude of the mind wherein men admit mortality; something had already passed from me—I mean that fresh and vigorous morning of the eyes wherein the beauty of this land had been reflected as in a tiny mirror of burnished silver. Youth was gone out apart; it was loved and regretted, and therefore no lomger possessed.

 
Hilaire Belloc
 

Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta. She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks. She was Dolly at school. She was Dolores on the dotted line. But in my arms she was always Lolita. Did she have a precursor? She did, indeed she did. In point of fact, there might have been no Lolita at all had I not loved, one summer, an initial girl-child. In a princedom by the sea. Oh when? About as many years before Lolita was born as my age was that summer. You can always count on a murderer for fancy prose style. Ladies and gentlemen of the jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. Look at this tangle of thorns.

 
Vladimir Nabokov
 

It would be more decorous not to live. To live is not decorous,
Says he who after many years
Returned to the city of his youth. There was no one left
Of those who once walked these streets
And now they had nothing, except his eyes.
Stumbling, he walked and looked, instead of them,
On the light they had loved, on the lilacs again in bloom.

 
Czeslaw Milosz
 

Was this perhaps life, then?—to have loved one summer in youth and not to have been aware of it until it was over, some sea-wet footprints on the floor and sand in the prints, the fragrance of a woman, soft loving lips in the dusk of a summer night, sea birds; and then nothing more; gone.

 
Halldor Laxness
 

I'm interested in truth, I like science. But truth's a menace, science is a public danger. As dangerous as it's been beneficent. ... It's curious ... to read what people in the time of Our Ford used to write about scientific progress. The seemed to imagine that it could go on indefinitely, regardless of everything else. Knowledge was the highest good, truth the supreme value; all the rest was secondary and subordinate. True, ideas were beginning to change even then. Our Ford himself did a great deal to shift the emphasise from truth and beauty to comfort and hapiness. Mass production demanded the shift. Universal happiness keeps the wheels steadily turning; truth and beauty can't. And, of course, whenever the masses seized political power, then it was happiness rather than truth and beauty that mattered. Still, in spite of everything, unrestricted scientific resarch was still permitted. People still went on talking about truth and beauty as though they were sovereign goods. Right up to the time of the Nine Years' War. That made them change their tune all right. What's the point of truth or beauty or knowledge when the anthrax bombs are popping all around you? That was when science first began to be controlled — after the Nine Years' War. People were ready to have even their appetites controlled then. Anything for a quiet life. We've gone on controlling ever since. It hasn't been very good for truth, of course. But it's been very good for happiness. One can't have something for nothing. Happiness has got to be paid for.

 
Aldous Huxley
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