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No agony, no ecstacy, no pleasure and no pain —
so exquisitely uninteresting you drive your wife insane
The TV is your oracle, the newspapers your guide
and your shiny little vehicle is your passion and your pride
You've done the same things every day for nigh on forty years
and in your ludicrous routines you hide your worthless fears
On the blandest boat in Boredom you are captain of the crew
and every time I eat vegetables it makes me think of you.
--
"Every Time I Eat Vegetables...", from Cautionary Tales for Dead Commuters (1985)

 

Attila the Stockbroker

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Thou wilt draw nigh!
Father — it is no dream that Thou art near —
No dream that, in my sin and misery,
I may look up to Thee,—
May hide beneath the shadow of Thy wings,
From all the restlessness of outward things,
And from my own heart's self-accusing fears —
For Thou art nigh.

 

Hetty Bowman

 

It would be difficult to describe the subtle brotherhood of men that was here established on the seas. No one said that it was so. No one mentioned it. But it dwelt in the boat, and each man felt it warm him. They were a captain, an oiler, a cook, and a correspondent, and they were friends, friends in a more curiously iron-bound degree than may be common. The hurt captain, lying against the water-jar in the bow, spoke always in a low voice and calmly, but he could never command a more ready and swiftly obedient crew than the motley three of the dingey. It was more than a mere recognition of what was best for the common safety. There was surely in it a quality that was personal and heartfelt. And after this devotion to the commander of the boat there was this comradeship that the correspondent, for instance, who had been taught to be cynical of men, knew even at the time was the best experience of his life. But no one said that it was so. No one mentioned it.

 

Stephen Crane

 

Fear is always in relation to something; it does not exist by itself. There is fear of what happened yesterday in relation to the possibility of its repetition tomorrow; there is always a fixed point from which relationship takes place. How does fear come into this? I had pain yesterday; there is the memory of it and I do not want it again tomorrow. Thinking about the pain of yesterday, thinking which involves the memory of yesterday’s pain, projects the fear of having pain again tomorrow. So it is thought that brings about fear. Thought breeds fear; thought also cultivates pleasure. To understand fear you must also understand pleasure — they are interrelated; without understanding one you cannot understand the other. This means that one cannot say ‘I must only have pleasure and no fear’; fear is the other side of the coin which is called pleasure. Thinking with the images of yesterday’s pleasure, thought imagines that you may not have that pleasure tomorrow; so thought engenders fear. Thought tries to sustain pleasure and thereby nourishes fear. Thought has separated itself as the analyzer and the thing to be analyzed; they are both parts of thought playing tricks upon itself. In doing all this it is refusing to examine the unconscious fears; it brings in time as a means of escaping fear and yet at the same time sustains fear.

 

Jiddu Krishnamurti

 

I like the War. It is only War that gives us a normal existence. What do you do in peace-time? You stay at home; you don't know what to do with your time; you argue with your parents, and your wife - if you have one. Everyone thinks you are an insufferable egotist - and so you are. The War comes; you only go home every five or six months. You are a hero, and, what women appreciate much more, you are a change. You know stories that have never been published. You've seen strange men and terrible things. Your father, instead of telling his friends that you are embittering the end of his life, introduces you to them as an oracle. These old men consult you on foreign politics. I you are married, your wife is prettier than ever; if you are not, all the girls lay siege to you.

 

Andre Maurois

 

To a man standing on the shore, time passes quicker than to a man on a boat — especially if the man on the boat is with his wife.

 

Woody Allen