An artistic impression is substantially the resultant of two components. One what the work of art gives the onlooker — the other, what he is capable of giving to the work of art.
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"An Artistic Impression" (1909) n Style and Idea (1985), p. 189Arnold Schoenberg
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If a man approaches a work of art with any desire to exercise authority over it and the artist, he approaches it in such a spirit that he cannot receive any artistic impression from it at all. The work of art is to dominate the spectator: the spectator is not to dominate the work of art. The spectator is to be receptive. He is to be the violin on which the master is to play. And the more completely he can suppress his own silly views, his own foolish prejudices, his own absurd ideas of what Art should be, or should not be, the more likely he is to understand and appreciate the work of art in question.
Oscar Wilde
It must be emphasized that in seeing a work of art that has been composed by precise means, the viewer does not perceive dominant details. His impression is one of perfect balance to which all the parts contribute, an impression which not only applies to the parts as such, but is transmitted also to the relation existing between the work of art and the viewer. Although it is very difficult to express in words the effect of a work of art, it may be said that the viewer’s deepest impression can best be defined as the achievement of a balance between objective meaning and subjectieve meaning, both directly penetrated by awareness. He has a sensation of height and of depth which are no longer in any way bound to natural conditions or to spatial dimensions, a sensation which places the viewer in a state of consciousnes harmony. (1925)
Theo van Doesburg
If nobody likes your work, you have to go on just for the sake of the work. And you're in no danger of letting the public make you repeat yourself. Every artist ought to pray that he may not be "a success". If he's a failure he stands a good chance of concentrating upon the best work of which he's capable.
Gustav Holst
The one injurious and fatal fact of our present church work is the barrier between the churches and the poorest classes. The first thing for us to do is to demolish this barrier. The impression is abroad among the poor that they are not wanted in the churches. This impression is either correct or incorrect. If it is correct, then there is no missionary work, for us who are pastors, half so urgent as the conversion of our congregations to Christianity. If it is incorrect, we are still guilty before God in that we have allowed such an impression to go abroad; and we are bound to address ourselves, at once and with all diligence, to the business of convincing the poor people that they are wanted, and will be made welcome in the churches.
Washington Gladden
I was never capable of being an average pupil. I would either seem refractory to any teaching and give the impression of being completely dumb or I would fling myself on my work with a frenzy, a patience, and a willingness to learn that astonished everybody. But to awaken my zeal, it was necessary to offer me something I liked. Once my appetite had been whetted, I became ravenously hungry.
Salvador Dali
Schoenberg, Arnold
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