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Anna Akhmatova

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That was a time when only the dead
could smile, delivered from their wars,
and the sign, the soul, of Leningrad
dangled outside its prison-house...
--
As translated by Stanley Kunitz
--
In those years only the dead smiled, Glad to be at rest: And Leningrad city swayed like A needless appendix to its prisons.
--
Translated by D. M. Thomas

 
Anna Akhmatova

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In the terrible years of Yezhov terror I spent seventeen months waiting in line outside the prison in Leningrad. One day somebody in the crowd identified me. Standing behind me was a woman with lips blue from the cold, who had, of course, never heard me called by name before. Now she started out of the torpor common to us all and asked me in a whisper (everyone whispered there):
"Can you describe this?"
And I said: "I can."
Then something like a smile passed fleetingly over what had once been her face.
— Leningrad, 1 April 1957

 
Anna Akhmatova
 

Whoever in his public services is handcuffed and shackled by the vice of consistency will be a man not free to act as various questions come before him from time to time; he will be a statesman locked in a prison house, keys to which are in the keeping of days and events that are dead. Let me quote Emerson: 'A foolish consistency is the hobgoblin of little minds, adored by little statesmen.'

 
Henry Fountain Ashurst
 

I lived in Hollywood and I had all that, the Rolls Royce and the Ferrari and the pad in Beverly Hills. I had the surf board and the Beach Boys and the bishkis and the Neil Diamond and the ramskam and the Jimmy shriffen and the Elvis Presley's best of bestlies and all them guys. The Dean and Martins and the Nancy Sinatras and the goffs and sofrins, "Will you do it to me? I hear you do it good honey" and all that kind of "Will you come up to my house later?" So I went through all that and I seen that was a bigger prison than the one I just got out of and I really didn't care to go back in prison. See, prison doesn't begin and end at the gate. Prison is in the mind. It's locked in one world that's dead and dying, or it's open to a world that's free and alive.

 
Charles Manson
 

The priest looked at him. Do I know you? he said.
Suttree placed one hand on the pew in front of him. An old woman was going along the altar rail with a dusting rag. He struggled to his feet. No, he said. You dont know me.
The priest stepped back, inspecting is clothes, his fishstained shoes.
I just fell asleep a minute. I was resting.
The priest gave a little smile, lightly touched with censure, remonstrance gentled. God's house is not exactly the place to take a nap, he said.
It's not God's house.
I beg your pardon?
It's not God's house.
Oh?
Suttree waved his hand vaguely and stepped past the priest and went down the aisle. The priest watched him. He smiled sadly, but a smile for that.

 
Cormac McCarthy
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