Sunday, December 22, 2024 Text is available under the CC BY-SA 3.0 licence.

Andrew Sega

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I think we'll soon see a new breed of musicians who have both a modern chordal sense (jazz) and a high comfort level with synthesizers and new breeds of sounds (from the electronica/techno/dj scene).

 
Andrew Sega

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Classical musicians can sometimes get very hung up on the idea that there's a right way and there's a wrong way. You can see this destroy a lot of players. Jazz musicians have a way of understanding that there are a lot of different ways of doing things. That's what's great about them, they're so friendly. And they are so individualistic - that's why they can accept someone like me.

 
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When jazz is played in another nation, it is called American. When it is played in another country, it sounds false. Jazz is the result of the energy stored up in America.

 
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He was the foundation out of which stemmed the whole edifice of modern jazz piano; every jazz pianist since Bud either came through him or is deliberately attempting to get away from playing like him.

 
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I think there is an incredible crisis now of how we train performers. Their training encourages them to behave as though they are back in the 19th century, and they are not allowed to get out of that box very much. 'If they play a tiny bit of contemporary music, it's looked on as a bit eccentric, and it's sort of tolerated instead of absolutely encouraged. And they certainly can't improvise, and they find it difficult to encounter jazz or jazz styles. 'I think they're all waking up to this, and it's very difficult for them, because the training and the value systems that get put on them go against what we all know to be the real world. Musicians do want to break out of these constraints. It's slightly boring to just play the same cycle of pieces over and over again.

 
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