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Andre Malraux

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On this earth of ours where everything is subject to the passing of time, one thing only is both subject to time and yet victorious over it: the work of art.
--
André Malraux, TV program: Promenades imaginaires dans Florence, 1975.

 
Andre Malraux

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He who thinks he can have flesh and bones without being subject to any external influence, or any accidents of matter, unconsciously wishes to reconcile two opposites, viz., to be at the same time subject and not subject to change. If man were never subject to change there could be no generation; there would be one single being, but no individuals forming a species.

 
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What Kant regarded as a unique (Copernican) turn to transcendental reflection becomes in Hegel a general mechanism for turning consciousness back upon itself. This mechanism has been switched on and off time and time again in the development of spirit. As the subject becomes conscious of itself, it destroys one form of consciousness after another. This process epitomizes the subjective experience that what initially appears to the subject as a being in itself can become content only in the forms imparted to it by the subject. The transcendental philosopher’s experience is thus, according to Hegel, reenacted naively whenever an in-itself becomes a for-the-subject. What Hegel calls “Dialectical” is the reconstruction of this recurrent experience and of its assimilation by the subject, which gives rise to ever more complex structures. … Hegel, it should be noted, exposes himself to a criticism. … Reconstructing successive forms of consciousness is one thing. Proving the necessity of their succession is quite another.

 
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Sandra had spent her days rendering pass/fail verdicts over troubled minds, applying tests most functional adults easily passed. Is the subject oriented to time and place? Does the subject understand the consequences of his actions? But if she could give the same test to humanity as a whole, Sandra thought, the outcome would be very much in doubt. Subject is confused and often self-destructive. Subject pursues short-term gratification at the expense of his own well-being.

 
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As one learns the language of a subject, one is also learning what the subject is. ...what we call a subject consists mostly, if not entirely, of its language. If you eliminate all the words of a subject, you have eliminated the subject.

 
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The time of the often criticized art without real subject (l’art pour l’art) and the art without object (abstract art) seems to be over. We are experiencing a new return to the meaningful subject, which the common people can understand

 
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