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Amber Benson

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It was interesting to have humanoid villains that were rooted in our three-dimensional reality... or four dimensional reality, I'm not sure which!
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Amber Benson - Interview at Madame Tussaud's - 10 December, 2003

 
Amber Benson

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Clocks are inherently four-dimensional instruments, since the endpoints of their unit distances are events. Measuring rods, on the other hand, are three-dimensional measuring instruments; their end points are space points and they can be changed into four-dimensional measuring instruments only if events are produced at their end points according to a special rule.

 
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To show this diagram properly, I would really need a four dimensional screen. However, because of government cuts, we could manage to provide only a two dimensional screen.

 
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He made the characters a lot more three-dimensional. It's still a 'B' movie and it's still kinda campy. Now it's these really well-developed characters, really three-dimensional.

 
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Man today can do more than the culture heros and half-gods; he has solved many insoluble problems. But he has also betrayed the hope and destroyed the truth which were preserved in the sublimations of higher culture. To be sure, the higher culture was always in contradiction with social reality, and only a privileged minority enjoyed its blessings and represented its ideals. The two antagonistic spheres of society have always coexisted; the higher culture has always been accommodating, while the reality was rarely disturbed by its ideals and its truth. Today's novel feature is the flattening out of the antagonism between culture and social reality through the obliteration of the oppositional, alien, and transcendent elements in the higher culture by virtue of which it constituted another dimension of reality. This liquidation of two-dimensional culture takes place not through the denial and rejection of the “cultural values,” but through their wholesale incorporation into the established order, through their reproduction and display on a massive scale.

 
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Functional communication is only the outer layer of the one- dimensional universe in which man is trained to target—to translate the negative into the positive so that he can continue to function, reduced but fit and reasonably well. The institutions of free speech and freedom of thought do not hamper the mental coordination with the established reality. What is taking place is a sweeping redefinition of thought itself, of its function and content. The coordination of the individual with his society reaches into those layers of the mind where the very concepts are elaborated which are designed to comprehend the established reality. These concepts are taken from the intellectual tradition and translated into operational terms—a translation which has the effect of reducing the tension between thought and reality by weakening the negative power of thought.

 
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