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"The high tide!" King Alfred cried.
"The high tide and the turn!
As a tide turns on the tall grey seas,
See how they waver in the trees,
How stray their spears, how knock their knees,
How wild their watchfires burn!
--
G. K. Chesterton, in The Ballad of the White Horse (1911), Book VII : Ethandune: The Last Charge

 

Alfred the Great

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It's not a real choice. It's an apparent choice. Like choosing a brand of detergent. Whether you buy Ivory Snow or Tide, they're both owned by Proctor & Gamble This doesn't mean that one takes a position that is without nuance, that [...] the Democrats and Republicans are the same. Of course, they're not. Neither are Tide and Ivory Snow. Tide has oxy-boosting and Ivory Snow is a gentle cleanser."

 

Arundhati Roy

 

Wave after wave
Will flow with the tide
And bury the world as it does
Tide after tide
Will flow and recede
Leaving life to go on
As it was...
-- Natural Science (1980)

 

Neil Peart

 

"Who are you?" I asked the phantom,
"I am rest from Hate and Pride.
"I am friend to king and beggar,
"I am Alpha and Omega,
"I was councilor to Hagar
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I was weary of tide breasting,
Weary of the world's behesting,
And I lusted for the resting
As a lover for his bride.

 

Robert E. Howard

 

Sheep are especially sensitive to the exact moment of the turn of the tide. In this game, nine tethered sheep react, pull on the stakes, jolt the chairs and rattle the tea-cups. Bets are taken on the combined sensitivity of any three lines of sheep -- read vertically, horizontally, or diagonally. Since there are normally three tide-turns every twenty-four hours, it is normal practice to take the best of three results. Reliable clocks, calendars, and time-tables are used to determine the accuracy of the sheep's forecast.

 

Peter Greenaway

 

Elvis' lowest effective note was a low-G, as heard on "He'll Have To Go" (1976); on "King Creole" (1958), he growls some low-F's; going up, his highest full-voiced notes were the high-B's in "Surrender" (1961) and "Merry Christmas Baby" (1971), the high-G at the end of "My Way" (1976 live version), and the high-A of "An American Trilogy" (1972); using falsetto, Elvis could reach at least a high-E, e.g, as in "Unchained Melody" (1977), so, it was very nearly a three-octave range, although more practically two-and-a-half.

 

Elvis Presley