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Alan Bennett

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One of the good things about Larkin is that he still has you firmly by the hand as you cross the finishing-line, whereas reading Auden is like doing a parachute-drop: for a while the view is wonderful, but then you end up on your back in the middle of a ploughed field and in the wrong county.
--
"Instead of a Present", p. 323 (1982)

 
Alan Bennett

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All things are connected with all things throughout the universe, from the insect to the archangel; from the sand-grain to the mountain and the globe; from the dew-drop to the ocean; from the rain-drop to the rainbow; from the pebble on the shore to 'the sun that blazes in the firmament; from the zephyr that sings among the flowers of the field to the ocean that pours its wild bass in the great anthem of nature. Not only are all things connected with all things, but there is a concatenation of events, so that the character and effects of no one event can terminate in itself. As each event owes some portion of its nature to that which preceded it, so it imparts some of its nature to that which succeeds it, and thus perpetuates the blended good or evil of itself and its predecessors. The single event may thus live on in its influence along the line of all the ages, assuming new shapes, or if clothing itself in the drapery of new events, ever marching onward and upward in the continually growing affairs of time.

 
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Strong language in Larkin is put in not to shock the reader but to define the narrator's personality. When Larkin's narrator in 'A Study of Reading Habits' (in The Whitsun Weddings) said 'Books are a load of crap' there were critics - some of them, incredibly, among his more appreciative - who allowed themselves to believe that Larkin was expressing his own opinion. (Kingsley Amis had the same kind of trouble, perhaps from the same kind of people, when he let Jim Dixon cast aspersions on Mozart.) It should be obvious at long last, however, that the diction describes the speaker.

 
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Pause, fellow-sinner, fellow man, before that wonderful Being that you find now in the manger, now on the cross; follow His wonderful footsteps; dwell on His words; hear His prayers; gaze on His tears, — nay, on His flowing blood, until you fully and firmly believe, never to doubt it, or forget that God loves us when we do not love Him.

 
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Learn these two things:
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Comedy is filled with surprise, so when I cross a line... I like to find out where the line might be and then cross it deliberately, and then make the audience happy about crossing the line with me.

 
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