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William Shakespeare

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EDMUND (sits down opposite his father - contemptuously). Yes, facts don't mean a thing, do they? What you want to believe, that's the only truth! (Derisively.) Shakespeare was an Irish Catholic, for example.
TYRONE (stubbornly). So he was. The proof is in his plays.
--
Eugene O'Neill, Long Day's Journey Into Night (1956), Act IV.

 
William Shakespeare

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If I had not existed, someone else would have written me, Hemingway, Dostoevsky, all of us. Proof of that is that there are about three candidates for the authorship of Shakespeare's plays. But what is important is Hamlet and A Midsummer Night's Dream, not who wrote them, but that somebody did. The artist is of no importance. Only what he creates is important, since there is nothing new to be said. Shakespeare, Balzac, Homer have all written about the same things, and if they had lived one thousand or two thousand years longer, the publishers wouldn’t have needed anyone since.

 
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Think of Tone. . . Think of how he put virility into the Catholic movement, how this heretic toiled to make free men of Catholic helot, how as he worked among them he grew to know and love the real, the historic Irish people, and the great, clear, sane conception came to him that in Ireland there must be not two nations or three nations but one nation, that Protestant and Dissenter must be brought into amity with Catholic and that Catholic, Protestant and Dissenter must unite to achieve freedom for all.

 
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The verbal poetical texture of Shakespeare is the greatest the world has known, and is immensely superior to the structure of his plays as plays.

 
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Since there is no such thing as absolute rightness and truth, we always pursue the artificial, leading, human truth. We judge and make a truth that excludes other truths. Art plays a formative part in this manufacture of truth.

 
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Changing a rod into a serpent and the serpent back into a rod may be clever magic, but how does such a demonstration prove that Moses spoke to God? If the only thing necessary to prove the truth of an extraordinary claim were to demonstrate an ability to bewilder, there would be no more mysteries to solve.
If a person claims that he can bring the dead back to life, and in proof of that power pulls a rabbit out of a hat, that is hardly a demonstration of the truth of his claim; it is merely an example of his ability in the art of deception. If he claims that he can fly without wings and without the use of mechanical help of any kind, and in proof of his ability pulls another rabbit out of another hat, that is not proof of his ability to fly, but of his ability to lie, and he will without much hesitation be condemned as a faker. The demonstration of one thing has absolutely no bearing in proving the truth of the other, when there is no relationship between them.

 
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