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William Norman Birkett

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I do not object to people looking at their watches when I am speaking. But I strongly object when they start shaking them to make sure they are still going.
Robert Andrews, Famous Lines: a Columbia dictionary of familiar quotations (1997), which cites a quotation in the London Observer, 30 October 1960

William Norman Birkett

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You say, “I want to know myself.” You are the I. You are the knowing. You are the consciousness through which everything is known and that cannot know itself. It is itself. There is nothing to know beyond that. And yet all knowing arises out of it. The “I” cannot make itself into an object of knowledge, of consciousness.
So you cannot become an object to yourself. That is the very reason the illusion of egoic identity arose because mentally you made yourself into an object. “That's me,” you say, and then you begin to have a relationship with yourself and tell others and yourself your story.

Eckhart Tolle

I may never have experienced a centaur, but by imagining one, I know that I can also imagine others that resemble this one and yet are different. But the God of the Bible is not only One, but the only possible One. As such, He cannot become an object of knowledge. And He cannot be imagined. A god that can be imagined would be a pagan deity (of which their always can be many), but not the One of the Bible. This is why the second of the Ten Commandments forbids the making of images; that is to say, it forbids any suggestion that God can become an object of knowledge by being an object of perception. It is because He cannot become an object of knowledge that He can, and indeed must, be an object of faith.

Leo Strauss

Object in/ and space – the first impulse may be to give the object – a position – to place the object. (The object had a position to begin with.) Next – to change the position of the object. – Rauschenberg’s early sculptures – A board with some rocks on it. The rocks can be anywhere on the board. - Cage’s Japanese rock garden – The rocks can be anywhere (within the garden)…

Jasper Johns

The military art is not an accomplishment, an art for dilettante, a sport. You do not make war without reason, without an object, as you would give yourself up to music, painting, hunting, lawn tennis, where there is no great harm done whether you stop altogether or go on, whether you do little or much. Everything in war is linked together, is mutually interdependent, mutually interpenetrating. When you are at war you have no power to act at random. Each operation has a raison d'etre, that is an object; that object, once determined, fixes the nature and the value of the means to be resorted to as well as the use which ought to be made of the forces.

Ferdinand Foch

—You know what Aquinas says: The three things requisite for beauty are, integrity, a wholeness, symmetry and radiance. Some day I will expand that sentence into a treatise. Consider the performance of your own mind when confronted with any object, hypothetically beautiful. Your mind to apprehend that object divides the entire universe into two parts, the object, and the void which is not the object. To apprehend it you must lift it away from everything else: and then you perceive that it is one integral thing, that is a thing. You recognise its integrity. Isn't that so?
— And then?
—That is the first quality of beauty: it is declared in a simple sudden synthesis of the faculty which apprehends. What then? Analysis then. The mind considers the object in whole and in part, in relation to itself and to other objects, examines the balance of its parts, contemplates the form of the object, traverses every cranny of the structure. So the mind receives the impression of the symmetry of the object. The mind recognises that the object is in the strict sense of the word, a thing, a definitely constituted entity. You see?
— Let us turn back, said Cranly.

James Joyce
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