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William Blake

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How have you left the ancient love
That bards of old enjoyed in you!
The languid strings do scarcely move!
The sound is forced, the notes are few!
--
To the Muses, st. 4

 
William Blake

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I didn't want to repeat the same notes in the second verse that I used in the first, so I wrote out all the notes of the song and all the notes that were missing in the scale, given that there are twelve notes from octave to octave. All those notes that weren't in the scale were the ones I wanted in for the next verse. The listener isn't aware that they are new notes, but the sound is pleasing to the ear. I change the key, and somehow it's fresh because you haven't heard those notes before.

 
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And so I'd dream a bass will join me,
and fill the bottom in. And maybe now some lead guitar
so it would not sound so thin.
I need some drums to set the beat
and help me keep in time.
And way back in the distance,
some strings would sound so fine.

 
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I wouldn’t play it in public — you need different muscles, you can’t use the upper arm, just the fingers. But the sound has a glow, because the strings aren’t damped, as on a piano. I wanted to visit Bach’s sound world, then apply those ideas to the piano.

 
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