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One can begin a picture and carry it throughand stop it and do nothing about the title at all.
--
as quoted in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts 1983, p. 147

 

William Baziotes

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Whereas certain people start with a recollection or an experience and paint that experience, to some of us the act of doing is the experience; so that we are not quite clear why we are engaged on a particular work. And because we are more interested in plastic matters than we are in matters of words, once can begin a painting and carry it through and stop it and do nothing about the title at all. All pictures are full of association.

 

William Baziotes

 

A few years ago, a motion picture version appeared of Sophocles' immortal tragedy "Oedipus Rex". This picture played only in the so-called art theaters, and it was not a financial success. And I maintain that the reason it was not a financial success... you're way ahead of me... was that it did not have a title tune which the people could hum, and which would make them actually eager to attend this particular...flick. So, I've attempted to supply this, and here then is the prospective title song from "Oedipus Rex".

 

Tom Lehrer

 

Maybe God is waiting for us to be silent long enough so he may begin painting a new picture in our imaginations, to begin transforming our image of a manageable deity into one that can truly inspire.

 

Skye Jethani

 

An example: if I compose a picture using as objects a scrap of bark, a scrap of butterfly wing and a purely imaginary form, you probably won’t recognise the bark, or the butterfly wing, and you’ll say: ‘What does this stand for? It is an abstract picture. No it’s a representational picture’.. ..There is no such thing as ‘abstract’, or ‘concrete’ either. There is a good picture and a bad picture. There is the picture that moves you and the picture that leaves you cold.. ..A picture has a value in itself, like a musical score, like a poem.

 

Fernand Leger

 

In the next episode you’ll see two people draw a picture of an angel and notice when they do that they draw the angel from a particularly secular perspective. And I’m certainly not one to begin to criticise the religio-artistic viewpoint of my two charming volunteers but it does make you stop and think what spiritually vacuous times we live in when two young people instinctively draw an angel with a halo attached to the back of its head with a stick.

 

Derren Brown