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I started [acting] when I was a young teenager. My mom encouraged me to go to read for some stuff in Toronto, and I ended up doing a couple of crappy commercials and was like, "Oh, yeah, I'd like to do this!" And then kind of put it on the back burner, and then pursued it a little bit when I was in Toronto, like studying a little bit here and there. And I decided to move to New York and go to Lee Strasberg. And I kind of, for the first time ever, really felt like I was doing something that I enjoyed, and that I felt like I could conceivably be good at. And when those two things happen, [ironically] you're off to the races.
--
"The Will Arnett Interview," Television Without Pity (2005)

 

Will Arnett

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But I well remember, as a young teenager, seeing signs printed in large black letters at the fronts of buses: "White seat from front, colored seat from rear." One day when I was thirteen, my friends and I were riding home from school in a half-empty bus — this was at the time that the civil rights movement was just getting off the ground and some police officers were just looking for a reason to shoot a black person who "got out of line." So, counter to our real feelings, we decided to avoid trouble by moving to the back of the bus when the driver told us to.
By that time, the sit-ins and the Freedom Rides had kind of broken the ice, even though things hadn't fully changed. So we saw it every day on TV and read about it in the news. Dad always said, "Stay out of trouble," and we did.

 

Herman Cain

 

Well, I decided that as a teenager that I really didn't know enough to describe character well and I was wasting my time. I'd learned as much as I could about story telling techniques and it wasn't a matter of technique any more. It was a matter of substance. As a result I said I was going to wait until I was a lot older and had more experience. So it was that after I got out of college I'd been away from SF for about four years. I'd read SF steadily from when I was eleven until I started college. When I started college I said, "I'm not going to read that while I'm here, I'm going to learn poetry and other things of that sort" in fact I wrote a lot of poetry then.

 

Roger Zelazny

 

When I started writing my first novel, ...And Call Me Conrad, they always say: "Write about what you know" and I said "Well, if I get a nice sort of combination SF and Fantasy with these resonances from Greek Mythology it might be pretty good. It would also give me a chance to start filling in my background on all those things I don't know much about but should if I want to be an SF writer."
So I sat down and made a list of everything I felt I should know more about. Astrophysics, oceanography, marine biology, genetics... Then when I'd finished the list I read one book in each of these areas. When I'd finished I went back and read a second book until I'd read ten books in each area. I thought that it wouldn't turn me into a terrific, fantastic expert but I'd at least have enough material there to know if I was saying something wrong. And I'd also know where to turn to get the information I want to make it right.
While I was doing this, to keep the words and cheques flowing I wrote books involving mythology. And once I started picking up things involving astrophysics I'd write stories that played with those sorts of things. So that's why I started out with mythology.

 

Roger Zelazny

 

I love the song ["Haters"]. I wrote it, it was my idea. I think at the time I was feeling like I had to talk so much about my personal life because people make accusations and there are lies and rumors constantly. I think that song really just came to me because I was feeling like people are so negative. They love to read what's coming out next on Page Six [of the New York Post] and I just felt like it was appropriate. I also felt like normal girls could relate to that, what with school and how people backstab each other and talk bad about each other and how much petty stuff goes on.

 

Hilary Duff

 

At the times in my life when I was feeling the most gregarious and looking for bosom friendships, I couldn't find any takers so that exactly when I was alone was when I felt the most like not being alone. The moment I decided I'd rather be alone and not have anyone telling me their problems, everybody I'd never even seen before in my life started running after me to tell me things I'd just decided I didn't think it was a good idea to hear about. As soon as I became a loner in my own mind, that's when I got what you might call a "following." As soon as you stop wanting something you get it. I've found that to be absolutely axiomatic.

 

Andy Warhol