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Wilfrid Sheed

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This country is merciless to good small talents. A writer who doesn't take chances and swing for the fences (whether or not he has a prayer of reaching them) is less than a man.
--
"Letters of E. B. White" (1976), p. 251

 
Wilfrid Sheed

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I swing as hard as I can, and I try to swing right through the ball. In boxing, your fist usually stops when you hit a man, but its possible to hit so hard that your fist doesn't stop. I try to follow through in the same way. The harder you grip the bat, the more you can swing it through the ball, and the farther the ball will go. I swing big, with everything I've got. I hit big or I miss big. I like to live as big as I can.

 
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By Him in Whose Hand my soul is I was about to order for collecting fire-wood (fuel) and then order Someone to pronounce the Adhan for the prayer and then order someone to lead the prayer then I would go from behind and burn the houses of men who did not present themselves for the (compulsory congregational) prayer. By Him, in Whose Hands my soul is, if anyone of them had known that he would get a bone covered with good meat or two (small) pieces of meat present in between two ribs, he would have turned up for the 'Isha' prayer.

 
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It isn't that the beau monde was too big for Capote's talents. The beau monde was too small for Capote's talents. Here, at least, in human terms the Very Rich are very poor. Interestingly, they are not interesting; incredibly, they are not even credible. They are certainly not the 'unspoiled monsters' of Capote's chapter title: they are spoiled mediocrities, they are boring freaks. The backgammon bums, the sweating champagne buckets, 'the Racquet Club, Le Jockey, the Links, White's', 'Lafayette, The Colony, La Grenouille, La Caravelle', 'Vuitton cases, Battistoni shirts, Lanvin suits, Peal shoes': how keen can a writer afford to be on all this?

 
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This is one country. It has become one country because all of us and all the people who came here had an equal chance to develop their talents. We cannot say to 10 percent of the population that you can't have that right; that your children can't have the chance to develop whatever talents they have; that the only way that they are going to get their rights is to go into the streets and demonstrate. I think we owe them and we owe ourselves a better country than that. Therefore, I am asking for your help in making it easier for us to move ahead and to provide the kind of equality of treatment which we would want ourselves; to give a chance for every child to be educated to the limit of his talents. As I have said before, not every child has an equal talent or an equal ability or an equal motivation, but they should have the equal right to develop their talent and their ability and their motivation, to make something of themselves.

 
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The hardest thing to do is to swing quietly, with control and restraint. Lots of bands swing loudly. I refuse to let my band play loudly in order to try to swing when it isn’t swinging softly. I think that the best jazz in the long run is the jazz that is controlled and will swing on its own terms.

 
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