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Walter Scott

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Thou and I are but the blind instruments of some irresistible fatality, that hurries us along, like goodly vessels driving before the storm, which are dashed against each other, and so perish.
--
Ch. 39, De Bois-Guilbert speaking to Rebecca.

 
Walter Scott

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There is a fatality, a feeling so irresistible and inevitable that it has the force of doom, which almost invariably compels human beings to linger around and haunt, ghostlike, the spot where some great and marked event has given the color to their lifetime; and still the more irresistibly, the darker the tinge that saddens it.

 
Nathaniel Hawthorne
 

In theatres... there are the bronze vessels in which are placed in niches under the seats in accordance with the musical intervals on mathematical principles. These vessels are arranged with a view to musical concords or harmony, and apportioned in the compass of the fourth, the fifth, and the octave, and so on up to the double octave, in such a way that when the voice of an actor falls in unison with any of them its power is increased, and it reaches the ears of the audience with greater clearness and sweetness. Water organs too, and the other instruments which resemble them cannot be made by one who is without the principles of music.

 
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The storm approaches its thunderhead, and it is apparent that the boat drifts ever closer to shore. So the blind will lead the blind, and the deaf shout warnings to one another until their voices are lost.

 
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Thou Great First Cause, least understood
Who all my sense confined
To know but this, that Thou art good
And that myself am blind.

 
Alexander Pope
 

Music has to do with sounds, so we need to find them somewhere and it is preferred to find musical ones. You have two sources for sounds: noises, which always tell you something — a door cracking, a dog barking, the thunder, the storm; and then you have instruments. An instrument tells you, 'la-la-la-la.' Music has to find a passage between noises and instruments. It has to escape. It has to find a compromise and an evasion at the same time; something that would not be dramatic because that has no interest to us, but something that would be more interesting than sounds like Do-Re-Mi-Fa...

 
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