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Vivian Stanshall

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This unasked-for jollity in the middle of an English afternoon left Sir Henry shivering with a red passion, his face a crumpled tissue on which a lobster might well have wiped its bottom.

 
Vivian Stanshall

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The top of modern American society is increasingly unified and often seems wilfully co-ordinated: at the top there has emerged an elite of power.The middle levels are a drifting set of stalemated balancing forces: the middle does not link the bottom with the top.The bottom of this society is fragmented,and even as a passive fact,increasingly powerless:at the bottom there is emerging a mass society.

 
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Summer afternoon — summer afternoon; to me those have always been the two most beautiful words in the English language.

 
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Like all weddings it had left the strange feeling of futility, the slight sense of depression that comes to English people who have tried, from their strong sense of tradition, to be festive and sentimental and in high spirits too early in the day. The frame of mind supposed to be appropriate to an afternoon wedding can only be genuinely experienced by an Englishman at two o'clock in the morning.

 
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Quite near, one face is looking sadly at me, as it lolls to one side. It is coming out of the bottom of the heap, as a wild animal might. Its hair falls back like nails. The nose is a triangular hole and a little of the whiteness of human marble dots it. There are no lips left, and the two rows of teeth show up like lettering. The cheeks are sprinkled with moldy traces of beard. This body is only mud and stones. This face, in front of my own, is only a consummate mirror.

 
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Children are made to learn bits of Shakespeare by heart, with the result that ever after they associate him with pedantic boredom. If they could meet him in the flesh, full of jollity and ale, they would be astonished, and if they had never heard of him before they might be led by his jollity to see what he had written. But if at school they had been inoculated against him, they will never be able to enjoy him. [...] Shakespeare did not write with a view to boring school-children; he wrote with a view to delighting his audiences. If he does not give you delight, you had better ignore him.

 
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