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The flag of racialism which has been hoisted in Wolverhampton is beginning to look like the one that fluttered 25 years ago over Dachau and Belsen.
--
Speech at Students for a Labour Victory rally, referring to Enoch Powell who was MP for Wolverhampton South West, Methodist Central Hall, London (3 June 1970), as quoted in "Onslaught on Powell by Wedgwood Benn" by Denis Taylor in The Times (4 June 1970), p. 1

 

Tony Benn

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I was in Dachau and Belsen. I saw chambers where hundreds of Jews were put to death every day. ... I saw the gallows in Belsen where Jews were hanged each Jewish holy day, while the rest were paraded to witness the ghastly punishments of men who had perhaps come a few minutes late to their daily grind. ... It is beyond mortal power to bring back to life six million who were burned, asphyxiated and buried alive by the Nazis. But our six million brothers and sisters who went to their deaths have bequeathed us a sacred injunction: to prevent such a disaster overtaking the Jewish peoples in the future and to do so by the Jewish people being an independent people in its own land, capable of resisting any foe or enemy by its own strength.

 

David Ben-Gurion

 

I have just come back from the internment camps of Europe where I looked on the survivors of the Nazi charnel houses. I was in Dachau and Belsen. I saw chambers where hundreds of Jews were throttled every day. They were brought naked, as if to bathe, and the Nazis would peer through peepholes and watch them writhing in their death agonies.

 

David Ben-Gurion

 

I got headbutted in Wolverhampton. You [Carl] get snogged in Northampton, head butted in Wolverhampton and I won't even tell you what happened in Southampton. Basically Carlos gets the love and I get all the head butts, it seems to be the way of things.

 

Peter Doherty

 

I made sail, and directed the other vessels to follow, for the purpose of closing with the enemy. Every brace and bowline being soon shot away, she became unmanageable, notwithstanding the great exertions of the sailing master. In this situation, she sustained the action upwards of two hours within canister distance, until every gun was rendered useless, and the greater part of her crew either killed or wounded. Finding she could no longer annoy the enemy, I left her in charge of lieutenant Yarnall, who, I was convinced, from the bravery already displayed by him, would do what would comport with the honour of the flag. At half past two, the wind springing up, captain Elliot was enabled to bring his vessel, the NIAGARA, gallantly into close action. I immediately went on board of her, when he anticipated my wish by volunteering to bring the schooner which had been kept astern by the lightness of the wind, into close action. It was with unspeakable pain that I saw, soon after I got on board the NIAGARA, the flag of the LAWRENCE come down, although I was perfectly sensible that she had been defended to the last, and that to have continued to make a show of resistance would have been a wanton sacrifice of the remains of her brave crew. But the enemy was not able to take possession of her, and circumstances soon permitted her flag again to be hoisted.

 

Oliver Hazard Perry

 

My primary concern is visual form. The visual meaning may be discovered afterwards – by those who look for it. Two meanings have been ascribed to these American Flag paintings of mine. One position is: 'He's painted a flag so you don’t have to think of it as a flag but only as a painting'. The other is: 'You are enabled by the way he has painted it to see it as a flag and not as a painting.' Actually both positions are implicit in the paintings, so you don't have to choose.

 

Jasper Johns