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Many great writers have been extraordinarily awkward in daily exchange, but the greatest give the impression that their style was nursed by the closest attention to colloquial speech.

 

Thornton Wilder

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Jarrell's stylistic particularities have been hard for critics to hear and describe, both because the poems call readers' attention instead to their characters and because Jarrell's particular powers emerge so often from mimesis of speech. Jarrell's style responds to the alienations it delineates by incorporating or troping speech and conversation, linking emotional events within one person's psyche to speech acts that might take place between persons … Jarrell's style pivots on his sense of loneliness and on the intersubjectivity he sought as a response.

 

Randall Jarrell

 

Just observe what you are. What you are is the fact: the fact that you are jealous, anxious, envious, brutal, demanding, violent. That is what you are. Look at it, be aware; don’t shape it, don’t guide it, don’t deny it, don’t have opinions about it. By looking at it without condemnation, without judgement, without comparison, you observe; out of that observation, out of that awareness comes affection. Now, go still further. And you can do this in one flash. It can only be done in one flash — not first from the outside and then working further and deeper and deeper and deeper; it does not work that way, it is all done with one sweep, from the outermost to the most inward, to the innermost depth. Out of this, in this, there is attention — attention to the whistle of that train, the noise, the coughing, the way you are jerking your legs about; attention whereby you listen to what is said, you find out what is true and what is false in what is being said, and you do not set up the speaker as an authority. So this attention comes out of this extraordinarily complex existence of contradiction, misery and utter despair. And when the mind is attentive, it can then give focus, which then is quite a different thing; then it can concentrate but that concentration is not the concentration of exclusion. Then the mind can give attention to whatever it is doing, and that attention becomes much more efficient, much more vital, because you are taking everything in.

 

Jiddu Krishnamurti

 

Except in the rare cases of great dynamic thinkers whose thoughts are as turning-points in the history of our race, it is by Style that writers gain distinction, by Style they secure their immortality. In a lower sphere many are remarked as writers although they may lay no claim to distinction as thinkers, if they have the faculty of felicitously expressing the ideas of others; and many who are really remarkable as thinkers gain but slight recognition from the public, simply because in them the faculty of expression is feeble. In proportion as the work passes from the sphere of passionless intelligence to that of impassioned intelligence, from the region of demonstration to the region of emotion, the art of Style becomes more complex, its necessity more imperious.

 

George Henry Lewes

 

On the other hand, to anyone paying the slightest bit of attention to facts, Ryan's speech was an apparent attempt to set the world record for the greatest number of blatant lies and misrepresentations slipped into a single political speech. On this measure, while it was Romney who ran the Olympics, Ryan earned the gold.

 

Paul Ryan

 

The style in which page after page of Modern Painters is written takes our breath away. We find ourselves marvelling at the words, as if all the fountains of the English language had been set playing in the sunlight for our pleasure, but it seems scarcely fitting to ask what meaning they have for us. After a time, falling into a passion with this indolent pleasure-loving temper in his readers, Ruskin checked his fountains, and curbed his speech to the very spirited, free and almost colloquial English in which Fors Clavigera and Praeterita are written. In these changes, and in the restless play of his mind upon one subject after another, there is something, we scarcely know how to define it, of the wealthy and cultivated amateur, full of fire and generosity and brilliance, who would give all he possesses of wealth and brilliance to be taken seriously, but who is fated to remain for ever an outsider.

 

John Ruskin