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Now let's repeat the non-conformists' oath: I promise to be different! (audience repeats) I promise to be unique! (audience repeats) I promise not to repeat things other people say! (audience repeats, laughs) Good!
--
Comedy album A Wild and Crazy Guy

 

Steve Martin

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OBAMA: Now, I swore an oath to uphold the laws on the books, but that doesn't mean I don't know very well the real pain and heartbreak that deportations cause. I share your concerns and I understand them. And I promise you, we are responding to your concerns and working every day to make sure we are enforcing flawed laws in the most humane and best possible way. Now, I know some people want me to bypass Congress and change the laws on my own. [Applause] And believe me, right now dealing with Congress —
AUDIENCE: Yes, you can! Yes, you can! Yes, you can! Yes, you can! Yes, you can!
OBAMA: Believe me — believe me, the idea of doing things on my own is very tempting. [Laughter] I promise you. Not just on immigration reform. [Laughter] But that's not how — that's not how our system works.
AUDIENCE MEMBER: Change it!
OBAMA: That’s not how our democracy functions. That's not how our Constitution is written. So let’s be honest. I need a dance partner here — and the floor is empty.

 

Barack Obama

 

An artist needs not so much an audience, as to feel a need to answer, a promise to respond....a good feeling about his art.

 

Robert Pinsky

 

I'm very concerned with the performer, but I'm not too concerned with the listener. It seems to me that if you can interest the performer and make him feel that he's done something really valuable, his playing will convince the audience just that. To write for the audience is just too uncertain. You never know what your audience may be like, but you can usually know what your performers will be like. A good musician has the training to appreciate all sorts of things you might try to do in a piece. A performer will also recognize whether a piece is skillfully written or original -- an audience might not always be so sure.

 

Elliott Carter

 

To anyone who is not an artist it must seem rather strange that Degas who could do anything — for whom setting down what he saw presented no difficulties at all — should have continued to draw the same poses year after year — often, it would seem, with increasing difficulty. Just as a classical dancer repeats the same movements again and again, in order to achieve a greater perfection of line and balance, so Degas repeats the same motifs, it was one of the things that gave him so much sympathy with dancers. He was continually struggling to achieve an idea of perfect form, but this did not prevent him looking for the truth in what might seem an artificial situation.

 

Kenneth Clark

 

To anyone who is not an artist it must seem rather strange that Degas who could do anything — for whom setting down what he saw presented no difficulties at all — should have continued to draw the same poses year after year — often, it would seem, with increasing difficulty. Just as a classical dancer repeats the same movements again and again, in order to achieve a greater perfection of line and balance, so Degas repeats the same motifs, it was one of the things that gave him so much sympathy with dancers. He was continually struggling to achieve an idea of perfect form, but this did not prevent him looking for the truth in what might seem an artificial situation.

 

Edgar Degas