This is a sturdy little cop thriller, and even when it stretches the bounds of plausibility, you go with it, partly because you believe -- almost against your better judgment -- in what the characters are doing.
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Review of 16 Blocks (2006)Stephanie Zacharek
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Friedan: I think it's partly a reaction against feminism, partly envy of feminism, and partly partly a real need of men to evolve through the burden of the masculine mystique, the burden of machismo.
Betty Friedan
To begin with myself, then, the utterances of men concerning me will differ widely, since in passing judgment almost every one is influenced not so much by truth as by preference, and good and evil report alike know no bounds.
Petrarch
"Thriller was the first television program to discover the goldmine in those back issues of Weird Tales ... Robert E. Howard's "Pigeons from Hell," one of the finest horror stories of our century, was adapted, and remains the favorite of many who remember Thriller with fondness. ~ Stephen King, Danse Macabre, p. 138, ISBN 978-1439170984
Robert E. Howard
Critics have found in the narrative a veneer of erudition that cloaks nothing more than a James Bond-style romp, albeit a highly addictive one. His publisher has described it as 'a thriller for people who don't like thrillers'. One newspaper put it thus: 'It is terribly written, its characters are cardboard cutouts, the dialogue is excruciating in places and, a bit like a computer manual, everything is overstated and repeated — but it is impossible to put the bloody thing down.
Dan Brown
The characters in this movie should be arrested for loitering with intent to moan. Never have teenagers been in greater need of a jump-start. Granted some of them are more than 100 years old, but still: their charisma is by Madame Tussaud. The Twilight Saga: New Moon takes the tepid achievement of Twilight (2008), guts it, and leaves it for undead. You know you're in trouble with a sequel when the word of mouth advises you to see the first movie twice instead. Obviously the characters all have. Long opening stretches of this film make utterly no sense unless you walk in knowing the first film, and hopefully both Stephanie Meyer novels, by heart. Edward and Bella spend murky moments glowering at each other and thinking, So, here we are again.
Roger Ebert
Zacharek, Stephanie
Zacharias, Ravi
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