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Stephanie Zacharek

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It's mournful and troubling in a way that goes beyond ordinary movie manipulation. It burns clean.
--
Review of Cast Away (2000)

 
Stephanie Zacharek

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Transformers is so belabored that it makes Pirates of the Caribbean: At World's End seem like a masterpiece of pacing. It makes that "classic" midsummer alien invasion movie, Independence Day, seem like a template for inventive plotting and solid character development. Even by Michael Bay standards, this movie is vapid. Yes, there are plenty of explosions, but those are a dime-a-dozen these days; even Discovery Channel's Mythbusters has them. Transformers isn't clean, big-budget fun; it's clean, big-budget tedium. For Transformers fans, I suppose this is a dream motion picture. For everyone else, it's a nightmare.

 
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Who dreamed that beauty passes like a dream?
For these red lips, with all their mournful pride,
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Troy passed away in one high funeral gleam,
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Fellowship depends on appreciation while manipulation is the cause of alienation: objects and I apart, things stand dead, and I am alone. What is more decisive: a life of manipulation distorts the image of the world. Reality is equated with availability: What I can manipulate is, what I cannot manipulate is not. A life of manipulation is the death of transcendence.

 
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Movie actors are just ordinary mixed-up people — with agents.

 
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Religion was too vague. God was different. He was something real, something I could feel. But there were only certain times when I could feel it. I used to lie between cool, clean sheets at night after I'd had a bath, after I had washed my hair and scrubbed my knuckles and finger-nails and teeth. Then I could lie quite still in the dark with my face to the window with the trees in it, and talk to God. "I am clean, now. I've never been as clean. I'll never be cleaner." And somehow, it was God. I wasn't sure that it was… just something cool and dark and clean.

 
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