DYING AND DEATH are the most universal and personally relevant experiences for every single individual. In the course of life, we all lose relatives, friends, teachers, and acquaintances and eventually face our own biological demise. Yet it is quite extraordinary that until the late 1960es, the Western industrial civilization showed an almost complete lack of interest in the subject of death and dying. This attitude has been displayed not only by the general public, but also by scientists and professionals for whom this subject should be of great interest - medical doctors, psychiatrists, psychologists, anthropologists, philosophers, and theologicians. The only plausible explanation for this situation is massive denial of death and psychological repression of everything related to it.
This disinterest is even more striking when we compare it to the attitude toward mortality in preindustrial societies...
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Introduction to The Ultimate Journey: Consciousness and the Mystery of Death (2006)Stanislav Grof
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We tend to suffer from the illusion that we are capable of dying for a belief or theory. What Hagakure is insisting is that even in merciless death, a futile death that knows neither flower nor fruit has dignity as the death of a human being. If we value so highly the dignity of life, how can we not also value the dignity of death? No death may be called futile.
Yukio Mishima
Life to each individual is a scene of continued feasting in a region of plenty; and when unexpected death arrests its course, it repays with small interest the large debt which it has contracted to the common fund of animal nutrition, from whence the materials of its body have been derived. Thus the great drama of universal life is perpetually sustained; and though the individual actors undergo continual change, the same parts are filled by another and another generation; renewing the face of the earth and the bosom of the deep with endless successions of life and happiness.
William Buckland
Dying is nothing. You have to know how to disappear. Dying comes down to a biological chance and that is of no consequence. Disappearing is of a far higher order of necessity. You must not leave it to biology to decide when you will disappear. To disappear is to pass into an enigmatic state which is neither life nor death. Some animals know how to do this, as do savages, who withdraw while still alive, from the sight of their own people.
Jean Baudrillard
Slugs have ridden their contempt for defensive armour as much to death as the turtles their pursuit of it. They have hardly more than skin enough to hold themselves together; they court death every time they cross the road. Yet death comes not to them more than to the turtle, whose defences are so great that there is little left inside to be defended. Moreover, the slugs fare best in the long run, for turtles are dying out, while slugs are not, and there must be millions of slugs all over the world over for every single turtle.
Samuel (novelist Butler
Totalitarian art must be a form of classicism: the state which is founded on order and subordination demands an art with a similar basis. Romantic painting, however popular, expresses the revolt of the individual. The State also requires an art of reason by which appropriate works may be produced as required. Inspiration is outside state control. The classic attitude toward subject matter — that it should be clear and unequivocal — supports the attitude of unquestioning belief. Add the fact that totalitarian art must be real enough to please the ignorant, ideal enough to commemorate a national hero, and well enough designed to present a memorable image, and one sees how perfectly The Death of Marat fills the bill. That it happens also to be a great work of art makes it dangerously misleading.
Kenneth Clark
Grof, Stanislav
Grohl, Dave
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