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My life's purpose is to write poetry — but behind the poetry ...
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Soutar,William

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My life's purpose is to write poetry — but behind the poetry must be the vision of a fresh revelation for men.
--
Diary, 29th August 1932.
--
Quotation posted with the permission of the National Scottish Library, Edinburgh, Scotland.

 
Soutar,William

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Any form of orthodoxy is just not part of a poet's province ... A poet must be able to claim ... freedom to follow the vision of poetry, the imaginative vision of poetry ... And in any case, poetry is religion, religion is poetry. The message of the New Testament is poetry. Christ was a poet, the New Testament is metaphor, the Resurrection is a metaphor; and I feel perfectly within my rights in approaching my whole vocation as priest and preacher as one who is to present poetry; and when I preach poetry I am preaching Christianity, and when one discusses Christianity one is discussing poetry in its imaginative aspects. ... My work as a poet has to deal with the presentation of imaginative truth.

 
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Poetry has historically been allied with religion and morals; it has served the purpose of penetrating the mysterious depths of things. It has had an enormous patriotic value. Homer to the Greeks was a Bible, a textbook of morals, a history, and a national inspiration. In any case, it may be said that an education which does not succeed in making poetry a resource in the business of life as well as in its leisure, has something the matter with it — or else the poetry is artificial poetry.

 
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Dancing is very like poetry. It's like poetic lyricism, sometimes, it's like the rawness of dramatic poetry, it's like the terror — or it can be like a terrible revelation of meaning. Because when you light on a word it strikes you to your heart.

 
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In Poetry I have a few axioms, and you will see how far I am from their centre. I think Poetry should surprise by a fine excess and not by singularity — it should strike the reader as a wording of his own highest thoughts, and appear almost a remembrance — Its touches of Beauty should never be halfway thereby making the reader breathless instead of content: the rise, the progress, the setting of imagery should like the Sun come natural to him — shine over him and set soberly although in magnificence leaving him in the luxury of twilight — but it is easier to think what Poetry should be than to write it — and this leads me on to another axiom. That if Poetry comes not as naturally as the leaves to a tree it had better not come at all.

 
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