Every morning upon awakening, I experience a supreme pleasure: that of being Salvador Dalí, and I ask myself, wonderstruck, what prodigious thing will he do today, this Salvador Dalí.
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As quoted in Smithsonian magazine. Variants: Every morning when I wake up, I experience an exquisite joy — the joy of being Salvador Dalí — and I ask myself in rapture: What wonderful things is this Salvador Dalí going to accomplish today? Every morning when I awake, the greatest of joys is mine: that of being Salvador Dalí.Salvador Dali
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The art of Salvador Dalí, an extreme metaphor at a time when only the extreme will do, constitutes a body of prophecy about ourselves unequaled in accuracy since Freud's "Civilization And Its Discontents". Voyeurism, self-disgust, the infantile basis of our fears and longings, and our need to pursue our own psychopathologies as a game — these diseases of the psyche Dali has diagnosed with dismaying accuracy. His paintings not only anticipate the psychic crisis which produced our glaucous paradise, but document the uncertain pleasures of living within it. The great twin leitmotifs of the 20th century — sex and paranoia — preside over his life, as over ours.
Salvador Dali
Salvador Dali seduced many ladies, particularly American ladies, but these seductions usually consisted of stripping them naked in his apartment, frying a couple of eggs, putting them on the woman's shoulders and, without a word, showing them the door.
Luis Bunuel
Dalí went on shocking the bourgeoisie till the end. The others, Ernst, Magritte, were all accepted into the critical fold as serious painters. Only Dalí held out till the end. He just didn't give a damn.
J. G. Ballard
The uneasy marriage of reason and nightmare which has dominated the 20th century has given birth to an increasingly surreal world. More and more, we see that the events of our own times make sense in terms of surrealism rather than any other view — whether the grim facts of the death-camps, Hiroshima and Viet Nam, or our far more ambiguous unease at organ transplant surgery and the extra-uterine foetus, the confusions of the media landscape with its emphasis on the glossy, lurid and bizarre, its hunger for the irrational and sensational. The art of Salvador Dalí, an extreme metaphor at a time when only the extreme will do, constitutes a body of prophecy about ourselves unequaled in accuracy since Freud's "Civilization And Its Discontents". Voyeurism, self-disgust, the infantile basis of our fears and longings, and our need to pursue our own psychopathologies as a game — these diseases of the psyche Dali has diagnosed with dismaying accuracy. His paintings not only anticipate the psychic crisis which produced our glaucous paradise, but document the uncertain pleasures of living within it. The great twin leitmotifs of the 20th century — sex and paranoia — preside over his life, as over ours.
J. G. Ballard
Now of course, the idealistic slogans are still needed for the media, for a lot of scholarship, for the schools, and so on. But, where the serious people are, the problem is that we have to maintain this disparity, and obviously it's gotta be maintained by force. So none of the idealistic slogans at home. So when you're setting up death squads in El Salvador under the Alliance for Progress, you're not hampered by these idealistic slogans. That's for the masses, for us. Well, given this kind of thinking, it's not too surprising that President Kennedy should say, with regard to El Salvador after supporting a military coup there, that "Governments of the civil-military type of El Salvador are the most effective in containing communist penetration in Latin America." This at the time when he organized the basic framework for the death squads that have been torturing and murdering ever since, and which we attribute to some kind of extreme right-wingers who somehow we can't get under control.
Noam Chomsky
Dali, Salvador
Dallaire, Romeo
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