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Salvador Dali

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In the subconscious you f**k ugly people, never beautiful, because the libido always desires something repulsive.
--
Exposure (October 1990); from an interview originally conducted by Victor Bockris in 1974.

 
Salvador Dali

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I simultaneously believe that languages are wonderful and awful. You have to hold both of those. Ugly things can be beautiful. And beautiful can get ugly very fast. You know, take Lisp. You know, it's the most beautiful language in the world. At least up until Haskell came along. (laughter) But, you know, every program in Lisp is just ugly. I don't figure how that works.

 
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Witch, n. (1) An ugly and repulsive old woman, in a wicked league with the devil. (2) A beautiful and attractive young woman, in wickedness a league beyond the devil.

 
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Poverty can curdle the libido and corrode civilized thoughts. One's sense of humour vanishes, to be replaced by a curry-spoiling sarcasm as one's Mr Hyde emerges from the swamp of the subconscious.

 
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It is evident that the relation to God with which the Bible is concerned does not have its source in the purple depths of the subconscious, and cannot be identical with what the deep-sea psychical research of our day describes in the narrower or broader sense as libido fulfilment.

 
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There can be no question of selecting in any direction, but of a penetrating the whole cosmic law of rhythms, forces and material that are the real world, from the ugliest to the most beautiful, everything that has character and expression, from the crudest and most brutal to the gentlest and most delicate; everything that speaks to us in its capacity as life. From this it follows that one must know all in order to be able to express all. It is the abolition of the aesthetic principle. We are not disillusioned because we have no illusions; we have never had any. What we have and what is our strength, is our joy in life; our interest in life, in all its amoral aspects. That is also the basis of our contemporary art. We do not even know the laws of aesthetics. That old idea of selection according to the beauty-principle Beautiful — Ugly, like to ethical Noble — Sinful, is dead for us, for whom the beautiful is also ugly and everything ugly is endowed with beauty. Behind the comedy and the tragedy we find only life's dramas uniting both; not in noble heroes and false villains, but people.

 
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