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"The Mackenzie had never met folk so poor in story and song and legends, and it moved him to a pity that pricked at his eyes. Without that tapestry of colour and words and ritual, what was life but eating and mating, sleeping and moving your bowels? All of them good and necessary, but not enough; and they themselves needed that framework too, to give them meaning."
--
The Sword of the Lady

 

S. M. Stirling

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The condition of mankind is, and always has been, so miserable and depraved that, if anyone were to say to the poet: "For God's sake stop singing and do something useful like putting on the kettle or fetching bandages," what just reason could he give for refusing? But nobody says this. The self-appointed unqualified nurse says: "You are to sing the patient a song which will make him believe that I, and I alone, can cure him. If you can't or won't, I shall confiscate your passport and send you to the mines." And the poor patient in his delirium cries: "Please sing me a song which will give me sweet dreams instead of nightmares. If you succeed, I will give you a penthouse in New York or a ranch in Arizona."

 

Wystan Hugh Auden

 

I wrote a song called "Father & Son" about the son running off to do his own thing. Now the story is about my son coming back and bringing a guitar into the house. A couple of years ago, one morning after prayers, his guitar was lying around. I picked it up and my fingers knew exactly where to go. I'd written some words and when I put them to music, it moved me and I realized I could have another job to do. Things just grew from there.

 

Cat Stevens

 

I believe that fallen creatures perish, perish for ever, for only good can live, and good has not been theirs; but how durst men forge our Saviour's words "eternal death" into so horrible a meaning? And even if he did use other words, and seem to countenance such a meaning for them (and what witness have we that He did, except that of men whose ignorance or prejudice might well have interpreted these words wrongly as they did so many others?)

 

James Anthony Froude

 

My colour has no symbolic function whatever. I don't want any colour to be noticeable. I want the colour to be the colour of life, so that you would notice it as being irregular if it changed. I don't want it to operate in the modernist sense as colour, something independent. I don't want people to say, "Oh, what was that red or that blue picture of yours, I've forgotten what it was."

 

Lucian Freud

 

Then this song came on—I will never forget it—it was called "The Funk Soul Brother." And I will always remember that because it was also all of the lyrics... and, er, it was that school of songwriting, you know, very easy on the words in case they get wasted, I don't know what- there's a shortage, and... it sounded like a million fire engines chasing ten million ambulances through a war zone and was played at a volume that made the empty chair beside me bleed. And it went, erm, "Funk soul brother... right about now... yeah... it's the, it's the funk soul brother... check it out. It's, er, well... it's the funk soul brother, essentially. He's, er, he's coming. He's coming at you. It's the... well... it's the funk soul brother." And after a while, I began to penetrate the meaning of this song, you know? I gathered that somebody was about to arrive, and everybody else was terribly excited - maybe he was bringing cake, or something, they didn't say - but the thing was, you see, he wasn't there yet. Ha ha, that was the hook! And I'm not saying it's a bad song, you know, or anything like that. All I'm saying is that if you get, I don't know, a broom, say, and dip it in some brake fluid, put the other end up my arse, stick me on a trampoline in a moving lift, and I would write a better song on the walls. That's all I'm saying.

 

Dylan Moran