"...a medium best suited to illumine and dramatize the issues of the times has its product pressed into a mold, painted lily-white, and has its dramatic teeth yanked out one by one.”
--
"About Writing for Television", his foreword to a collection of teleplays ("Patterns")Rod Serling
The ladies of St. James’s!
They’re painted to the eyes;
Their white it stays forever
Their red it never dies:
But Phillida, my Phillida!
Her color comes and goes;
It trembles to a lily,—
It wavers to a rose.Henry Austin Dobson
"I eat only white foods: eggs, sugar, grated bones, the fat of dead animals; veal, salt, coconut, chicken cooked in white water; fruit mold, rice, turnips; camphorated sausage, dough, cheese (white), cotton salad, and certain fish (skinless)."
Erik Satie
The ever importunate murmur, "Dramatize it, dramatize it!"
Henry James
"And, curiously, he felt that he was something, somebody, precisely and simply because of that cold threat of death. The terror of the white world had left no doubt in him about his worth; in fact, that white world had guaranteed his worth in the most brutal and dramatic manner. Most surely he was was something, in the eyes of the white world, or it would not have threatened him as it had. That white world, then, threatened as much as it beckoned. Though he did not know it, he was fatally in love with that white world, in love in a way that could never be cured. That white world's attempt to curb him dangerously and irresponsibly claimed him for its own."
Richard Wright
When sexuality is operating in the service of intimacy, it is the fact that it is the particular other who is responding to the vulnerability inherent in sustaining desire that generates intensity and meaning. It is precisely the physiological intensity of the sexual response that lends the sexual encounter its dramatic interpersonal significance. This suggests that it is a mistake to regard the role of sexuality in relation to needs for relatedness and attachment as a "sexualization," which implies that sex is carrying something that can and somehow should be attended to in other ways. (Although this is sometimes the case.) The distinction between preoedipal and oedipal developmental levels often implies such an artificial and misleading separation between sexual experience and issues of attachment and connection. There is perhaps nothing better suited for experiencing and deepening the drama of search and discovery than the mutual arousal, sustaining, and quenching of sexual desire.
Stephen A. Mitchell
Serling, Rod
Serota, Nicholas
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