..."all these criticisms fade like morning mist before Howard’s headlong rush of action, his rainbow-tinted prose, the intensity with which he wrote his own feelings into his stories, and, above all, his Hyborian world – that splendid creation – which ranks with Burroughs' Barsoom and Tolkien's Middle Earth as a major fictional achievement." ~ L. Sprague de Camp, Dark Valley Destiny, p. 295, 1983, ISBN 0312940742
Robert E. Howard
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"It is hard to describe precisely what made Mr. Howard's stories stand out so sharply; but the real secret is that he himself is in every one of them, whether they were ostensibly commercial or not. He was greater than any profit-making policy he could adopt — for even when he outwardly made concessions to Mammon-guided editors and commercial critics, he had an internal force and sincerity which broke through the surface and put the imprint of his personality on everything he wrote." ~ H. P. Lovecraft, "Robert Ervin Howard: A Memorium", Fantasy Magazine, 1936 (Reprinted in The Last Celt, Glenn Lord ed., p. 69, 1976, ISBN 0425036308)
Robert E. Howard
"Thriller was the first television program to discover the goldmine in those back issues of Weird Tales ... Robert E. Howard's "Pigeons from Hell," one of the finest horror stories of our century, was adapted, and remains the favorite of many who remember Thriller with fondness. ~ Stephen King, Danse Macabre, p. 138, ISBN 978-1439170984
Robert E. Howard
"[Behind Howard's stories] lurks a dark poetry and the timeless truth of dreams." ~ Robert Bloch
Robert E. Howard
"Howard takes great care to develop mood and atmosphere in his best stories, and in so doing makes the reader feel the dark, desperate undercurrent of his character's schemes and struggles. It is in this that I feel closest to Howard, and it is something that his conscious imitators have never captured. The disparity of writing styles aside, the mood immediately sets pastiche-Howard apart from the real article. Pseudo-Conan is out having just the best time, 'cause he's the biggest, toughest, mightiest-thewed barbarian on the block, and he's gonna have a swell time of brawling and chopping monsters and rescuing princesses and offing wizards and drinking and brawling and ... and... etc... etc.... But in Howard's fiction the underlying black mood of pessimism is always there, and even Conan, who enjoys a binge or a good fight, is not having a good time of it at all. This is particularly true of Solomon Kane and King Kull-driven men whom not even a desperate battle can exorcise their black mood, while Conan at times can find brief surcease in excesses of pleasure or violence. I think Solomon Kane and King Kull were closer to Howard's true mood, while Conan represented the ability to escape briefly from black reality that Howard wished he could emulate. He failed. Of all Howard's characters I most prefer King Kull, and it is Kull who is closest to my own Kane..." ~ Karl Edward Wagner, Midnight Sun, "The Once and Future Kane", 2007, ISBN 978-1892389510 (First published in REH: Lone Star Fictioneer #1, Spring 1975)
Robert E. Howard
"One cannot write about Robert E. Howard without writing about Texas. This is inevitable, and particularly so when discussing any aspect of Howard's biography. To ignore the presence of the Lone Star State in Robert E. Howard's life and writing invites , at the very least, a few wrongheaded conclusions, and at worst, abject character assassination. This doesn't keep people from plunging right in and getting it wrong every time." ~ Mark Finn, 2006, p. 249, Blood and Thunder, ISBN 978-1-932265-21-7
Robert E. Howard
Howard, Robert E.
Howard, Terrence
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