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I was in analysis and I told my analyst I wanted to be the best sculptor in the world and he said: "Richard, calm down."

 

Richard Serra

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If the deepest, most fundamental levels of the analysand's pathology are to be reached, the relationship with the analyst becomes the vehicle for the establishment and articulation of bad-object relations. The analyst cannot enter the analysand's world in any form other than as a familiar (that is, "bad," or less than gratifying, object). This is true even though there often are elaborate resistances to the experience of the transference. Otherwise the analysis does not touch the analysand deeply, offers no promise, no hope for connection and transformation.

 

Stephen A. Mitchell

 

He was the biggest of them all. And he knew it. ...he wanted everyone to call him 'King Richard'.... He had the biggest, flashiest and with all the best looking players. He also had the greatest parties in his hotel rooms. At least, that's what I was told. They wouldn't let me in, because I was underage." Etta also mentions her first meeting with James Brown, in Macon, Georgia, where this young Dancer/Boxer/Gospel Singer had befriended Little Richard. "He used to carry around an old tattered napkin with him, because Little Richard had written the words, 'Please, Please, Please' on it and James was determined to make a song out of it.

 

Little Richard

 

And [the Messiah] said unto them, "If a man told God that he wanted most of all to help the suffering world, no matter the price to himself, and God answered and told him what he must do, should the man do as he is told?"

 

Richard Bach

 

"What I would like to know is what I should be doing."
"I see what you mean," Freeling said, "but I'm afraid I can't tell you. If you were a lathe operator I'd say make that part, but you're a part of management, and you can't treat managerial people that way."
"Go ahead," Forlesen told him. "I won't mind."
[...] "What I meant was that if I knew what you ought to be doing I'd hire a clerk to do it. You're where you are because we feel—rightly or wrongly—that you can find your own work, recognize it when you see it, and do it or get somebody else to. Just make damn sure you don't step on anybody's toes while you're doing it, and don't make more trouble than you fix. [...] Don't come running to me with complaints, and don't let me get any complaints about you. Now what was it you wanted to see me about?"
"I don't," Forlesen said. "You said you wanted to see me."
"Oh. Well, I'm through."

 

Gene Wolfe

 

Q-Tip comes in the room and says, "I want you to hear something". I'm hella excited 'cause either it's a new Tribe song or it's a beat for me. He tells the kid to put the tape in. He does and I hear a ghostly piano loop that has some shakers in it. Too Salsa for me. That was "Runnin'"! He plays another joint and I go crazy over it. That was "The Jam". He explains to me that the noise I keep flippin' over [is] someone holding the repeat button on the SP when its in 1/32! He played another joint, wasn't my speed. I didn't like the Beastie Boy sample at the top. That was "Drop!" The next joint played and only played for 15 seconds. I wanted that one. He explained that it was just an interlude though. I still wanted it. The next joint was hard, organ sounding joint. Sounds like something a west coast artist would take... w:Ice Cube maybe. That was "Gotta Kick Something That Means Something"! I took three tracks and told Tip that I wanted to add more tracks to the album. He said cool! Yes!!! I got three tracks from Tip!!! Tip looks at me and says, "I didn't make em...he did." I look at the kid and speak to him and he says "What Up Doe?" "What up, kid? What's your name?" "Jay Dee."

 

J Dilla