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Richard Maurice Bucke

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It is alone that part of the external universe which we call material which acts on man through his senses — that part of which we ordinarily feel our knowledge to be the surest; but in reality, strangely enough, as will soon appear, this is one of the aspects of the external world, of which we can know nothing.
--
Ch. 1 : Lines of Cleavage

 
Richard Maurice Bucke

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According to the technical language of old writers, a thing and its qualities are described as subject and attributes; and thus a man’s faculties and acts are attributes of which he is the subject. The mind is the subject in which ideas inhere. Moreover, the man’s faculties and acts are employed upon external objects; and from objects all his sensations arise. Hence the part of a man’s knowledge which belongs to his own mind, is subjective: that which flows in upon him from the world external to him, is objective.

 
William Whewell
 

The Common Sense, is that which judges of things offered to it by the other senses. The ancient speculators have concluded that that part of man which constitutes his judgment is caused by a central organ to which the other five senses refer everything by means of impressibility; and to this centre they have given the name Common Sense. And they say that this Sense is situated in the centre of the head between Sensation and Memory. And this name of Common Sense is given to it solely because it is the common judge of all the other five senses i.e. Seeing, Hearing, Touch, Taste and Smell. This Common Sense is acted upon by means of Sensation which is placed as a medium between it and the senses. Sensation is acted upon by means of the images of things presented to it by the external instruments, that is to say the senses which are the medium between external things and Sensation. In the same way the senses are acted upon by objects. Surrounding things transmit their images to the senses and the senses transfer them to the Sensation. Sensation sends them to the Common Sense, and by it they are stamped upon the memory and are there more or less retained according to the importance or force of the impression.

 
Leonardo da Vinci
 

Well, I was interested in a subjective image... stemming perhaps from the subconscious. Because the external world as far as I was concerned had been totally explored in painting and there was a whole ripe new area in the inner world that we all have. Now in order to externalise this you have to use visual means and so the visual means may have some relation tot the external world. However what I was trying to focus on was what I experienced within my mind, within my feelings, rather than on the external world which I can see.

 
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The respect inspired by the link between man and the reality alien to this world can make itself evident to that part of man which belongs to the reality of this world.
The reality of this world is necessity. The part of man which is in this world is the part which is in bondage to necessity and subject to the misery of need.
The one possibility of indirect expression of respect for the human being is offered by men's needs, the needs of the soul and of the body, in this world.

 
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It is easy to see that the ego is that part of the id which has been modified by the direct influence of the external world.

 
Sigmund Freud
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