Dad, you hit the wrong target when you write that you wish I were at Princeton living "in the even tenor of my way." I hate that expression and as far as I am able I intend to avoid that condition. When impulse and spontaneity fail to make my "way" as uneven as possible then I shall sit up nights inventing means of making life as conglomerate and vivid as possible. Those who live in the even tenor of their way simply exist until death ends their monotonous tranquility. No, there's going to be no even tenor with me. The more uneven it is the happier I shall be. And when my time comes to die, I'll be able to die happy, for I will have done and seen and heard and experienced all the joy, pain, thrills—every emotion that any human ever had—and I'll be especially happy if I am spared a stupid, common death in bed. So, Dad, I'm afraid your wish will always come to naught, for my way is to be ever changing, but always swift, acute and leaping from peak to peak instead of following the rest of the herd, shackled in conventionalities, along the monotonous narrow path in the valley. The dead have reached perfection when it comes to even tenor!
--
Letter to his parents from Paris (5 December 1919).Richard Halliburton
» Richard Halliburton - all quotes »
In 1956, even the youngest of his fans knew that the 21-year-old Elvis Presley was unquestionably the whole package; and, obviously, his great three octave tenor voice, with a lower register close to bass, seemed to vibrate on the inner scale of every teenager in America; they loved the high tenor, but when he "got down" with that lower register, fans exploded; Elvis translated this into his moves on stage, so it was a 10.0 assault on the senses.
Elvis Presley
"A man's life is happy," says Pascal, "if he begins by being in love and ends by being ambitious." It will be still happier if, after all his ambitions have been satisfied, it ends in tranquility.
Andre Maurois
"This is not the way it has been done. We would never surprise each other ... It's not to say that there's not important information that we could discuss or would be discussed in secret or closed session, but I'm astounded by this. I don't really know what the tenor of this is, what is the justification for it and why this extreme approach was used."
Trent Lott
Elvis Presley has been described variously as a baritone and a tenor. An extraordinary compass- the so-called register-, and a very wide range of vocal color have something to do with this divergence of opinion. The voice covers two octaves and a third, from the baritone low-G to the tenor high B, with an upward extension in falsetto to at least a D flat. Presley's best octave is in the middle, D-flat to D-flat, granting an extra full step up or down. Call him a high baritone. In "It's'now or never", (1960), he ends it in a full voice cadence (A, G, F), that has nothing to do with the vocal devices of R&B and Country. That A-note is hit right on the nose, and it is rendered less astonishing only by the number of tracks where he lands easy and accurate B-flats. Moreover, he has not been confined to one type of vocal production. In ballads and country songs he belts out full-voiced high G's and A's that an opera baritone might envy. He is a naturally assimilative stylist with a multiplicity of voices - in fact, Elvis' is an extraordinary voice, or many voices.
Elvis Presley
The press, many-tongued, surpassed itself in reproaches upon these women who had so far departed from their sphere as to speak in public. But, with anointed lips and a consecration which put even life itself at stake, these peerless women pursued the even tenor of their way, saying to their opponents only: "Woe is me, if I preach not this gospel of freedom for the slave." Over all came the melody of Whittier's "When woman's heart is breaking Shall woman's voice be hushed? "
Lucy Stone
Halliburton, Richard
Halme, Tony
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