Robert E. Howard

"Man," said he, "tell me your name, so that my brothers in Vanaheim may know who was the last of Wulfhere's band to fall before the sword of Heimdul."
"Not in Vanaheim," growled the black-haired warrior, "but in Valhalla will you tell your brothers that you met Conan of Cimmeria."

Slowly he rose, mechanically wiping his hands upon his cloak. A dark scowl had settled on his somber brow. Yet he made no wild, reckless vow, swore no oath by saints or devils.
"Men shall die for this," he said coldly.

Coming, as I do, from mountain folk on one side and sea followers on the other, there are few old songs of the hills or the sea with which I am not familiar.

Slowly the pale-faced noblemen and frightened women knelt, bowing in fear and reverence to the bloodstained giant who towered above them with his eyes ablaze.
"I am king!"

"Who are you?" I asked the phantom,
"I am rest from Hate and Pride.
"I am friend to king and beggar,
"I am Alpha and Omega,
"I was councilor to Hagar
"But men call me suicide."
I was weary of tide breasting,
Weary of the world's behesting,
And I lusted for the resting
As a lover for his bride.

"This sort of fiction, commonly called "sword and sorcery" by its fans, is not fantasy at its lowest, but it still has a pretty tacky feel; mostly it's the Hardy Boys dressed up in animal skins and rated R ( and with cover art by Jeff Jones, as likely as not). Sword and sorcery novels and stories are tales of power for the powerless. The fellow who is afraid of being rousted by those young punks who hang around his bus stop can go home at night and imagine himself wielding a sword, his potbelly miraculously gone, his slack muscles magically transmuted into those "iron thews" which have been sung and storied in the pulps for the last fifty years.
"The only writer who really got away with this sort of stuff was Robert E. Howard, a peculiar genius who lived and died in rural Texas ( Howard committed suicide as his mother lay comatose and terminally ill, apparently unable to face life without her). Howard overcame the limitations of his puerile material by the force and fury of his writing and by his imagination, which was powerful beyond his hero Conan's wildest dreams of power. In his best work, Howard's writing seems so highly charged with energy that it nearly gives off sparks. Stories such as "The People of the Black Circle" glow with the fierce and eldritch light of his frenzied intensity. At his best, Howard was the Thomas Wolfe of fantasy, and most of his Conan tales seem to almost fall over themselves in their need to get out. Yet his other work was either unremarkable or just abysmal... The word will hurt and anger his legion of fans, but I don't believe any other word fits. Robert Bloch, one of Howard's contemporaries, suggested in his first letter to Weird Tales that even Conan wasn't that much shakes. Bloch's idea was that Conan should be banished to the outer darkness where he could use his sword to cut out paper dolls. Needless to say, this suggestion did not go over well with the marching hordes of Conan fans; they probably would have lynched poor Bob Bloch on the spot, had they caught up with him back there in Milwaukee." ~ Stephen King, Danse Macabre, p. 204, ISBN 978-1439170984

"It is hard to describe precisely what made Mr. Howard's stories stand out so sharply; but the real secret is that he himself is in every one of them, whether they were ostensibly commercial or not. He was greater than any profit-making policy he could adopt — for even when he outwardly made concessions to Mammon-guided editors and commercial critics, he had an internal force and sincerity which broke through the surface and put the imprint of his personality on everything he wrote." ~ H. P. Lovecraft, "Robert Ervin Howard: A Memorium", Fantasy Magazine, 1936 (Reprinted in The Last Celt, Glenn Lord ed., p. 69, 1976, ISBN 0425036308)

Kull walked apart, beyond the glow of the campfires to gaze out among the mystic vistas of crag and valley. The slopes were softened by verdue and foliage, the vales deepening into shadowy realms of magic, the hills standing out bold and clear in the silver of the moon. The hills of Zalgara has always held a fascination for Kull. They brought to his mind the mountains of Atlantis whose snowy heights he had scaled as a youth, ere he fared forth into the great world to write his name across the stars and make an ancient throne his seat.

Conan stood paralyzed in the disruption of the faculties which demoralizes anyone who is confronted by an impossible negation of sanity.

"No wonder a few people in Cross Plains don’t like him. They don’t understand him. His preoccupation with history and with writing instead of the price of corn and cotton is something they could not understand Could I? I liked to talk about books. . . History. . . Writing. Well, this was an opportunity to listen to a very interesting storyteller!" ~ Novalyne Price Ellis, One Who Walked Alone, p. 64, ISBN 093798678X

What do I know of cultured ways, the gilt, the craft and the lie?
I, who was born in a naked land and bred in the open sky.
The subtle tongue, the sophist guile, they fail when the broadswords sing;
Rush in and die, dogs—I was a man before I was a king.

I have no fear of the Hereafter. An orthodox hell could hardly be more torture than my life has been.

But who is this who rides in silver white
Attire that shames the stars across the night?
Helmet and shield and corselet all a-gleam,
Like some crusader from a drifting dream
Upon a prancing jackass shod with flame—
Rise, heralds of the past, bray forth his name

She who had been the spoiled and petted daughter of the Duke of Kordava, learned what is was to be a buccaneer's plaything, and because she was supple enough to bend without breaking, she lived where other women had died, and because she was young and vibrant with life, she came to find pleasure in the existence.

"Yonder in the unknown vastness"—his long finger stabbed at the black silent jungle which brooded beyond the firelight—"yonder lies mystery and adventure and nameless terror. Once I dared the jungle—once she nearly claimed my bones. Something entered into my blood, something stole into my soul like a whisper of unnamed sin. The jungle! Dark and brooding—over leagues of the blue salt sea she has drawn me and with the dawn I go to seek the heart of her. Mayhap I shall find curious adventure—mayhap my doom awaits me. But better death than the ceaseless and everlasting urge, the fire that has burned my veins with bitter longing."

Kane gazed, awed. This was truly a hell on earth. As in a nightmare he looked into the roaring red cauldron where black insects fought against their doom and perished. The flames leaped a hundred feet in the air, and suddenly above their roar sounded one bestial, inhuman scream like a shriek from across nameless gulfs of cosmic space, as one vampire, dying, broke the chains of silence which had held him for untold centuries. High and haunting it rose, the death cry of a vanishing race.

"Crom!" his mighty shoulders twitched. "A murrain of these wizardly feuds! Pelias has dealt well with me, but I care not if I see him no more. Give me a clean sword and a clean foe to flesh it in. Damnation! What would I not give for a flagon of wine!"

If this myth of the harpies were a reality, what of the other legends—the Hydra, the centaurs, the chimera, Medusa, Pan and the satyrs? All those myths of antiquity--behind them did there lie and lurk nightmare realities with slavering fangs and talons steeped in shuddersome evil? Africa, the Dark Continent, land of shadows and horror, of bewitchment and sorcery, into which all evil things had been banished before the growing light of the western world!

Mingle my dust with the burning brand,
Scatter it free to the sky
Fling it wide on the ocean’s sand,
From peaks where the vultures fly.

"Wits and swords are as straws against the wisdom of the Darkness..."