Mickey Spillane (1918 – 2006)
Better known as Mickey Spillane, was an American author of crime novels.
Rainey, you've forgotten something. You've forgotten that I'm not a guy that takes any crap. Not from anybody. You've forgotten I've been in business because I stayed alive longer than some guys who didn't want me that way. You've forgotten that I've had some punks tougher than you'll ever be on the end of a gun and I pulled the trigger just to watch their expressions change.
I sat there as if I were paralyzed; for a second totally immobilized, a suddenly frozen mind and body that had solidified into one great silent scream at the mention of a name I had long ago consigned to a grave somewhere. Then the terrible cold was drenched with an even more terrible wash of heat and I sat there with my hands bunched into fists to keep them from shaking.
When I started the paperback market, there were only a few good writers, now the market's loaded... you don't know which one to take.
See, heroes never die. John Wayne isn't dead, Elvis isn't dead. Otherwise you don't have a hero. You can't kill a hero. That's why I never let him get older.
I don't research anything. If I need something, I'll invent it.
It was one of those nights when the sky came down and wrapped itself around the world. The rain clawed at the windows of the bar like an angry cat and tried to sneak in every time some drunk lurched in the door. The place reeked of stale beer and soggy men with enough cheap perfume thrown in to make you sick.
Two drunks with a nickel between them were arguing over what to play on the juke box until a tomato in a dress that was too tight a year ago pushed the key that started off something noisy and hot. One of the drunks wanted to dance and she gave him a shove. So he danced with the other drunk.
She saw me sitting there with my stool tipped back against the cigarette machine and change of a fin on the bar, decided I could afford a wet evening for two and walked over with her hips waving hello.
I'm a commercial writer, not an author. Margaret Mitchell was an author. She wrote one book.
I've gotta keep writing. But where's the next step, where do you go? But at my age, you start to get tired. You're not full of piss and vinegar. The vinegar's all gone.
All I saw was the dame standing there in the glare of the headlights waving her arms like a huge puppet and the curse I spit out filled the car and my own ears. I wrenched the wheel over, felt the rear end start to slide, brought it out with a splash of power and almost ran up the side of a cliff as the car fishtailed. The brakes bit in, gouging a furrow in the shoulder, then jumped to the pavement and held.
Somehow I had managed a sweeping curve around the babe. For a few seconds she had been living on stolen time because instead of getting out of the way she had tried to stay in the beam of the headlights. I sat there and let myself shake. The butt that had fallen out of my mouth had burned a hole in the leg of my pants and I flipped it out the window. The stink of burned rubber and brake lining hung in the air like smoke and I was thinking of every damn thing I ever wanted to say to a hairbrained woman so I could have it ready when I got my hands on her.
That was as far as I got. She was there in the car beside me, the door slammed shut and she said, "Thanks, mister."
I don't care what the editor likes or dislikes, I care what the people like.
I'm not an author, I'm a writer, that's all I am. Authors want their names down in history; I want to keep the smoke coming out of the chimney.
The two cops dragging the little guy out stopped dead still. The other one washing the bloodstains from the seat quit swishing the brush over the wicker and held his breath. Nobody ever spoke that way to Dilwick. Nobody from the biggest politician in the state to the hardest apple that ever stepped out of a pen. Nobody ever did because Dilwick would cut them up into fine pieces with his bare hands and enjoy it. That was Dilwick, the dirtiest, roughest cop who ever walked a beat or swung a nightstick over a skull. Crude, he was. Crude, hard and dirty and afraid of nothing. He'd sooner draw blood from a face than eat and everybody knew it. That's why nobody ever spoke to him that way. That is, nobody except me.
Because I'm the same way myself.
I know an awful lot of Hollywood people, who are so self-important, I can't understand it. My father was a good Irish saloon-keeper, my mother always said to him, 'Jack, how come you know everybody here' and he'd say, 'because I say hello'. I'm just like that, I've always been that way.
I'm 82 years old, wherever I go everybody knows me, but here's why... I'm a merchandiser, I'm not just a writer, I stay in every avenue you can think of.
Even in that pale light I could see that she was more beautiful than ever, the black shadow of her hair framing a face I had seen every night in the misery of sleep for so long. Those deep brown eyes still had that hungry look when they watched mine and the lush fullness of her mouth glistened with a damp warmth of invitation.
I'm actually a softie. Tough guys get killed too early... I've got a full head of hair and don't wear eyeglasses.
Hemingway hated me. I sold 200 million books, and he didn't. Of course most of mine sold for 25 cents, but still... you look at all this stuff with a grain of salt.
They found me in the gutter. The night was the only thing I had left and not much of it at that. I heard the car stop, the doors open and shut and two voices talking. A pair of arms jerked me to my feet and held me there.
"Drunk," the cop said.
The other one turned me around into the light. "He don't smell bad. That cut on his head didn't come from a fall either."
"Mugged?"
"Maybe."
I didn't give a damn which way they called it. They were both wrong anyhow. Two hours ago I was drunk. Not now. Two hours ago I was a roaring lion. Then the bottle sailed across the room. No lion left now.
Now was a time when I wasn't anything. Nothing was left inside except the feeling a ship must have when it's torpedoed, sinks and hits bottom.
The phone rang.
It was a thing that had been sitting here, black and quiet like a holstered gun, unlisted, unknown to anybody, used only for local outgoing calls, and when it was triggered it had the soft, muted sound of a silenced automatic. The first ring was a warning sound. The second time would be death calling.
I'm a country boy. I hate New York. But that's where things happen, so I use it as a base for stories, I know enough about it. But I have to keep going back there.