Kenneth Rexroth

It takes great labor to uncover the convincing simple speech of the heart. Poetic candor comes with hard labor, so even does impetuosity and impudence.

With my own group I like to keep it loose. They have to counter rather than go with me. When they stop I like to be moving.

Victorian society was homogeneous without being homogenized. It was, to paraphrase the epigram about Parliament, a society of extreme eccentrics who agreed so well that they could afford to differ.

The poet, says Baudelaire, is a decipherer, a Kabbalist of reality, a decoder. Ordinary life, if it is not a message in code, a system of symbols for something else, is unacceptable. It must be a cryptogram; it can't be what it seems. The poet's task is to decode the incomprehensible obvious. His life becomes a deliberately constructed paranoia, as Rimbaud, Breton, Artaud were to say generations later.
As we read him, we discover that Baudelaire believes in the charm, the incantation, the cryptogram, but he ceases to believe in the secret. The spirits have not risen. The code says nothing. This is the mystery concealed by the disorder of the world. The visionary experience ends in itself; the light of the illuminated comes only from and falls only on himself.

The characteristic paranoias of youth — the attribution of intention and duplicity to almost all human behavior. The young suffer terribly from the belief that the people they encounter are most of them up to something and that something has some relation to themselves. Actually, of course, most people just bobble along like apples in a stream. Usually it takes many years of experience to realize this.

The free, creative, loving people who shine so brightly in my memory of studios and coffee shops have become models for a huge section of the population. If they in turn can just stay alive in the face of power and terror, they may become the decisive section.

Towards the end of the night, as trucks rumbled
In the streets, you stirred, cuddled to me,
And spoke my name. Your voice was the voice
Of a girl who had never known loss
Of love, betrayal, mistrust, or lie.

No one was required to believe in the gods as Christians believe in their creeds. Socrates had always been scrupulous in observance of every accepted principle and practice of community life. However, from his questioning he had developed a civic and personal morality founded on reason rather than custom. He envisioned it as subject to continuous criticism and revaluation in terms of the ever-expanding freedom of morally autonomous but cooperating persons, who together made up a community whose characteristic aim was an organically growing depth, breadth, intensity of experience — experience finally of that ultimate reality characterized by Socrates as good, true and beautiful.
The accusers were right. This is a new religion which bears scant resemblance to the old. Civic piety is founded on the recognition of ignorance and the nurture of the soil until it becomes capable of true knowledge — which is a state of being, a moral condition called freedom. The Greek city-state, not to speak of the tribal community, knew nothing of freedom in this sense, but only the liberty that distinguished the free man from the slave.

Late at night the horses stumble
Around the camp and I awake.
I lie on my elbow watching
Your beautiful sleeping face
Like a jewel in the moonlight.
If you are lucky and the
Nations let you, you will live
Far into the twenty-first
Century. I pick up the glass
And watch the Great Nebula
Of Andromeda swim like
A phosphorescent amoeba
Slowly around the Pole. Far
Away in distant cities
Fat-hearted men are planning
To murder you while you sleep.

See Life steadily, see it whole.

The holiness of the real
Is always there, accessible
In total immanence. The nodes
Of transcendence coagulate
In you, the experiencer,
And in the other, the lover.

The modern sensibility attempts to drain the contents of experience; these Greek poets strive to state the fact so poignantly that it becomes an ever-flowing spring — as Sappho says, "More real than real, more gold than gold."

You don't become a saint until you lead a good life whether in Tibet or Italy or America.

It is a commonplace that Racine is untranslatable. This is not because his verse is difficult, but because it is not.

I have no interest in Kerouac whatsoever. I've done my stint for him. As far as I'm concerned, Kerouac is what Madison Avenue wants a rebel to be. That isn't my kind of rebel.

Perhaps this is what really happens in life to most good men. They are not crucified. They simply pass through life and then die, and their passing influences just a few people to make them just a little happy.

The contemporary world is being pulled apart by two contrary tendencies — one toward social death, one toward the birth of a new society. Many of the phenomena of the present crisis are ambivalent and can either mean death or birth depending on how the crisis is resolved.
The crisis of a civilization is a mass phenomenon and moves onward without benefit of ideology. The demand for freedom, community, life significance, the attack on alienation, is largely inchoate and instinctive. In the libertarian revolutionary movement these objectives were ideological, confined to books, or realized with difficulty, usually only temporarily in small experimental communities, or in individual lives and tiny social circles. It has been said of the contemporary revolutionary wave that it is a revolution without theory, anti-ideological. But the theory, the ideology, already exists in a tradition as old as capitalism itself. Furthermore, just as individuals specially gifted have been able to live free lives in the interstices of an exploitative, competitive system, so in periods when the developing capitalist system has temporarily and locally broken down due to the drag of outworn forms there have existed brief revolutionary honeymoons in which freer communal organization has prevailed. Whenever the power structure falters or fails the general tendency is to replace it with free communism. This is almost a law of revolution. In every instance so far, either the old power structure, as in the Paris Commune or the Spanish Civil War, or a new one, as in the French and Bolshevik Revolutions, has suppressed these free revolutionary societies with wholesale terror and bloodshed.

Now I know surely and forever,
However much I have blotted our
Waking love, its memory is still
there. And I know the web, the net,
The blind and crippled bird. For then, for
One brief instant it was not blind, nor
Trapped, not crippled. For one heart beat the
Heart was free and moved itself. O love,
I who am lost and damned with words,
Whose words are a business and an art,
I have no words. These words, this poem, this
Is all confusion and ignorance.
But I know that coached by your sweet heart,
My heart beat one free beat and sent
Through all my flesh the blood of truth.

The basic line in any good verse is cadenced... building it around the natural breath structures of speech.

Today we hear a great deal about Organizational Men, Mass Culture, Conformity, the Lonely Crowd, the Power Elite and its Conspiracy of Mediocrity. We forget that the very volume of this criticism is an indication that our society is still radically pluralistic. Not only are there plenty of exceptionalists who take exception to the stereotyping of the mass culture — but that very string of epithets comes from a series of books that have been recent best-sellers, symptoms of a popular, living tradition of dissent from things as they are.