Jennifer Beals
American actress who is known for her roles in The L Word, The Chicago Code, Flashdance and Devil in a Blue Dress.
Love is the greatest light, the brightest torch, and will always be the greatest instrument of change.
[On the importance of positive representations of LGBT people in the media] You know, I don't think it's helpful to anyone to... for example, say that every LGBT person is wonderful and perfect and without flaw, and lets all ring the bells to perfection. I think it's much more helpful to tell the story as truthfully as you can, and with all of its complications, because that's also when people recognize themselves, and that's when people who are not part of the LGBT community will recognize themselves within that character. And then [they] hopefully empathize and maybe there'll be some kind of shift.
[About compassion] You can have the ‘golden rule’—do unto others as you would have others do unto you. But then you take it one step farther—where you just do good unto others, period. Just for the sake of it.
Just when you think you know something, it gets turned around and challenged in some way. But those changes are welcome because you end up learning more.
I believe that people want to turn from fear towards hope, from divisiveness towards unity, from intolerance to an understanding that we all belong to one great community. Within all the chaos, within the despair, the not knowing, the anger, the anxiety, there is always the possibility for change. There is a seed of hope. And I'm not talking about a pie-in-the-sky kind of hope, but a kind of hope that calls on each and every one of us to stand up and be counted — a kind of hope that calls on each and every one of us to give the very best of ourselves — not just for our own benefit, but for the benefit of all of us, collectively.
Women are so often segregated to their sexuality, and how they appear. In fact, there’s a lot of talk, even now, I think in most jobs this is true…people will say, when a woman rises to power, they ask, ‘who did she sleep with?’ You know, it couldn’t possibly be about her acumen, it couldn’t possibly be about her intelligence. It’s got to be about her body, because that’s how women get ahead.
[Her message to women and girls of the world] You are more powerful than you can possibly imagine. You are more powerful than you can possibly imagine. And it is incumbent upon you to use that power--not only for yourself, but for everyone else around you.
One of the things that the show did for me was bring up so many women’s issues and the notion that homophobia is a form of misogyny. The women’s community and the gay community are interrelated, whether you’re straight or not. It also made me realize how connected women are everywhere. Women who are gay are repressed in similar ways as women who are straight.
[Speaking about her dedication to advocating for LGBT rights] I think after playing Bette Porter on The L Word for six years I felt like an honorary member of the community. They are not just gay issues. They affect everybody because they affect the fabric of our community. I am in a position to be helpful...people are indoctrinated and they have their point of view but hopefully slowly but surely we can help change the paradigm. That's what I hope for and it's happening little by little. It's not easy.
The more affluent areas, by and large, are afforded these big, beautiful, spectacular buildings, and then the poorer neighborhoods are just disintegrating. And there’s this imbalance, obviously, of power and resources.
[Speaking about same-sex marriage] It’s about familiarity, and I think the only reason they’re uncomfortable with the notion of same-sex marriages is because they haven’t come into contact with gay and lesbian couples enough to understand that it’s about love—and that it is a civil right.
Compassion takes imagination.
With more mainstream filmmaking, the problem is who’s making the decisions. They’re not artists. The key creative decisions are being made by lawyers and accountants—that’s a very precarious situation. It’s precarious because it really does matter. Icons are being made and manufactured. People say it’s just a movie—but it’s not.
[On what she learned from working on The L Word] I think that I learned the most clearly was how connected we all are. And that (does air quotation marks) "gay issues" are also women's issues because homophobia is a form of misogyny…And I feel much more motivated to speak out when I see something that I don't like or that just smells wrong…I see how all women are connected. You know, and that we are all either repressed or we repress ourselves in certain ways, and that's truly codified within the culture. And that I'm not so far removed from that woman in the Congo who's terrified to go out into the woods to look for firewood.
We can have the final word on hate, neglect, disease and all the other insidious characters that still script their way into our stories...for now, but not forever.
[What her career looks like] "It looks like a marathon. And I'm proud that I'm not a DNF (did not finish). I'm not a DNF yet. I just kept going. I think that's been the key is just to keep going and really try to get better and try to be as truthful as I can and hope that good things come my way."
[Regarding Flashdance-related fame] It was very clear to me that it’s not real. It’s not real…I was never the little girl who thought I wanted to be famous. My first real quest that I can recall…other than wanting to be a jockey…was trying to figure out who or what God was. That really drove me for quite some time…I had a notion that there was this mystery that I didn’t really know anything about, and I wanted to try to figure it out….so fame was not my driving force.
[Speaking about women’s friendships] If two women go to a bar and they are fighting over men, it makes it much easier for the men. If two women are very close and they act as… it makes it very difficult for the men to pull one over on anybody.
[On yoga] Once you've completed a wonderful class, you get a sense of the deepest, purest part of yourself. You feel like you are connected to everybody else in the world.