Enya quotes

I started writing instrumentals but Roma pointed out they were very visual, so she started writing lyrics .. and Nicky had this idea of creating a wall of sound and started multi-tracking my voice.

You know love is everything you say;
a whisper, a word,
promises you give.
You feel it in the heartbeat of the day.
You know this is the way love is.

I have never come close to being married or engaged. I was with someone eight years ago when I questioned whether I wanted the pressure of being married or having children. I always felt that if pregnancy was to happen, it would happen; if it didn't, it didn't. ... I have security, I don't need a man in my life. I don't have pets, I have two guard dogs; and I don't do my own shopping; it's a security thing....The downside of success is stalkers. I have had death threats from people with fixations who need help.

I get very inspired by traveling, by being home in Donegal ... all those wonderful moments I'll take with me to the studio. And they, ah, then become at some stage, a melody. That emotion that I loved at some stage will evolve as a melody.

Enya and her team record and we stay in touch until there is something for me to listen to. I then provide an outside view. She is a genius in the studio, comparable to somebody like Brian Wilson, but she and Nicky can be their own worst enemies at striving for personal best all the time. I guess that's the price of perfectionism.

You tend to behave yourself in her company. Make even a small joke about her songs and she gets angry. And she does have a peculiar effect on men. I've watched normally sane journalists waxing metaphysical when they meet her.

Long, long journey
through the darkness,
long, long way to go;
but what are miles
across the ocean
to the heart that's coming home?

I could have been more famous if I did all the glitzy things, but celebrity always seemed so unnecessary ... Fame and success are very different things, anyway. The music sold itself before anybody knew who I was, so I felt I had a choice. I told the record company I didn't feel the need to be out there at red-carpet events. I wanted a career. But I wanted to keep myself intact as a person.

On Christmas Day the traditional Brennan Christmas continued in full swing. It was wonderful that we could all be at home together. The girls set about preparing the meal while the boys rearranged the furniture so we could all sit around the table together. Eithne had just got a video camera and was skulking from room to room trying to catch everyone at their most embarrassing. It didn't take much to get us to act accordingly and the house was full of laughter and song.

Saol na saol, tús go deireadh. Tá muid beo go deo.

I heard the soundtrack to The Celts TV programme, which Enya had done, and I thought "what's this magical music?", and it was such an antidote to the, sort of, the day's work, that every night I went home and played the soundtrack from The Celts. And then I met her in Ireland and she was telling me how she was signing to another record company, I went "no, no, no, no, you can't do this, you must sign with us." And I did it really just as a self-indulgence, that I thought this was beautiful music and wanted to be associated with it, there wasn't really a kind of commercial edge to it at all.

Mountains, solitude and the moon
until the journey's end?
The river holds the lost road of the sky;
the shape of eternity?

Eithne had been working on her album and the single, 'Orinoco Flow', was released while we were in the studio. We were so excited for her. It was already at number eleven in the charts and we felt sure it was going to go up. We'd watched her on Top of the Pops the week before, so come Sunday evening we expectantly gathered in the house near the studio to listen to the Top Forty. Our youngest brother, Bartley, was working in London and he came over to be with us to hear the news. Number one! We were all shouting and screaming and hugging each other and you couldn't have heard the record playing above the din in the room. First we spoke to Eithne on the phone. More squealing. She was so happy and we knew that sharing the moment with us, even over the telephone, was very special. Then we rang our brother Leon who was over in Donegal. He'd been driving Mammy to church and they'd been frantically trying to get the radio station on the car radio so they could hear the result. The whole family were over the moon. That evening at dinner we had a bottle of champagne and toasted Eithne's success.

All days come from one day
that much you must know,
you cannot change what's over
but only where you go.

I didn't expect such a huge reaction, but I knew I was doing something different to everything else that was happening at the time ... People feel a very personal connection with the music.

Summer. When the day is over
there's a heart a little colder;
someone said goodbye,
but you don't know why.
Somewhere there is someone keeping
all the tears they have been weeping,
someone said goodbye,
but you don't know why.

Sitting and writing music on your own makes you think a lot about your life. Who are you? Would you change anything about yourself? This is where it comes from. It is like having a mirror held up in front of you, looking into yourself and asking these questions.

Playing in a family band has many advantages, but it can often mean that when the going gets tough you take it out on each other with a liberty that only family can tolerate. I suppose it had always been difficult for Eithne. We loved what she brought to the band, but I know it was hard for her to infiltrate our years as a tightly knit nucleus. Musically, Ciaran and Pol had always been the creative force, and Noel, Padraig and myself had then worked our own expression around them. It was a good formula that worked well. Inevitably, when Eithne joined us full time, she found it hard. She hadn't been part of the original song-collecting days and consequently didn't share our enthusiasm for the old songs. I suppose she always felt little more than a "guest musician". As sisters we had always been close and talked about everything together, so I was sorry when band business caused a strain between us. One day, just after the tour, Eithne announced that she had decided to leave Clannad. She was going to pursue a solo career with Nicky Ryan as her manager. In the long term it turned out to be a good decision. I missed her, but I'm sure the apprenticeship with Clannad helped Eithne develop her own sound and afforded her strong contacts in the music business. She is talented and ambitious and, in the years that followed, the family was delighted to watch the success that came her way.

A lot of people tend to think that because I need all this time on my own in the studio, that I need time on my own, period. And that's not really true.

The silence of a winter's night
brings memories I hold inside;
remembering a blue moonlight
upon the fallen snow.