Bill Bryson

...Our guide announces that he's going to take us to the coldest place on Earth, where particles are cooled to within a fraction of a Kelvin. "Ah," says Bryson. "That must be Donald Rumsfeld's heart."

I watched a rerun on television of a 1960s comedy programme called "Mr Ed", which was about a talking horse. Judging by the quality of the jokes, I would guess that Mr Ed wrote his own material.

The Opera House is a splendid edifice, and I wish to take nothing away from it, but my heart belongs to the Harbour Bridge. It's not as festive, but it is far more dominant – you can see it from every corner of the city, creeping into frame from the oddest angles, like an uncle who wants to get into every snapshot. From a distance it has a kind of gallant restraint, majestic but not assertive, but up close it is all might. It soars above you, so high that you could pass a ten-storey building beneath it, and looks like the heaviest thing on earth. Everything that is in it – the stone blocks in its four towers, the latticework of girders, the metal plates, the six-million rivets (with heads like halved apples) – is the biggest of its type you have ever seen. This is a bridge built by people who have had an Industrial Revolution, people with mountains of coal and ovens in which you could melt down a battleship. The arch alone weighs 30,000 tons. This is a great bridge.

I assume he was descended from apes like all the rest of us, but clearly in his case it had been a fairly gentle slope.

We couldn't place their accents but we thought the smaller one might be Australian since he seemed so at home down under.

I don't care how paranoid and irrational this makes me sound, but I know for a fact that the people of Paris want me dead.

I really was more intent on getting out of Iowa than everybody else. I just felt I didn't quite fit in exactly, the way other people did. Then I came here and discovered by living in Britain that being a foreigner is really a treat. It is such a great position to be in. When things are going well you can step forward and take part in the ceremonies and everything is great. And when things are not going well, being entirely hypothetical here, if for example your national football team got beat by Germany, you can stand back and say what a shame.

Normally, your wife can hear things that no one else on earth can hear. She can hear a dab of jam fall onto a carpet two rooms away. She can hear spilled coffee being furtively mopped up with a good bathtowel. She can hear dirt being tracked across a clean floor. She can hear you just thinking about doing something you shouldn't do. But get yourself stuck in a loft hatch and suddenly it is as if she has been placed in a soundproof chamber.

I remember being profoundly amazed that anyone would suppose that a little wooden desk would provide a safe haven in the event of an atomic bomb being dropped on Des Moines. But evidently they all took the matter seriously, for even the teacher, Miss Squat Little Fat Thing, was inserted under her desk, too—or at least as much of her as she could get under, which was perhaps 40 percent. Once I realized that no one was watching, I elected not to take part. I already knew how to get under a desk and was confident that this was not a skill that would ever need refreshing.

Blackpool's illuminations are nothing if not splendid, and they are not splendid.

A friend Alan and I ended up in an Outback pub in a place called Daly Waters and apparently, he says, in the course of this very lively evening we spent there I offered to do a house swap with a family from Korea. We weren't sure whether they were from North Korea or South Korea.

I knew more things in the first ten years of my life than I believe I have known at any time since. I knew everything there was to know about our house for a start. I knew what was written on the undersides of tables and what the view was like from the tops of bookcases and wardrobes. I knew what was to be found at the back of every closet, which beds had the most dust balls beneath them, which ceilings the most interesting stains, where exactly the patterns in wallpaper repeated. I knew how to cross every room in the house without touching the floor, where my father kept his spare change and how much you could safely take without his noticing (one-seventh of the quarters, one-fifth of the nickels and dimes, as many of the pennies as you could carry). I knew how to relax in an armchair in more than one hundred positions and on the floor in approximately seventy- five more. I knew what the world looked like when viewed through a Jell-O lens. I knew how things tasted—damp washcloths, pencil ferrules, coins and buttons, almost anything made of plastic that was smaller than, say, a clock radio, mucus of every variety of course—in a way that I have more or less forgotten now. I knew and could take you at once to any illustration of naked women anywhere in our house, from a Rubens painting of fleshy chubbos in Masterpieces of World Painting to a cartoon by Peter Arno in the latest issue of The New Yorker to my father’s small private library of girlie magazines in a secret place known only to him, me, and 111 of my closest friends in his bedroom.

In France, a chemist named Pilatre de Rozier tested the flammability of hydrogen by gulping a mouthful and blowing across an open flame, proving at a stroke that hydrogen is indeed explosively combustible and that eyebrows are not necessarily a permanent feature of one's face.