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I wrote the first book, Harvest of Stars, and as I was writing it, I saw that certain implications had barely been touched on... It's perfectly obvious that two completely revolutionary things are going on, with cybernetics, and biological science.

 

Poul Anderson

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When I started writing Imperium, I had a problem with my conscience, because if I wrote strictly from the point of view of this Polish experience, the book would be completely incomprehensible to the Western reader.

 

Ryszard Kapuscinski

 

Writing the book (The Hottest State) had to do with dropping out of college, and with being an actor. I didn't want my whole life to go by and not do anything but recite lines. I wanted to try making something else. It was definitely the scariest thing I ever did. And a huge learning experience about how not everybody's going to like you, or like what you do. And you have to ask yourself, is it worthwhile? Or am I just doing it to be liked? And it was just one of the best things I ever did. The second book (Ash Wednesday) was so much more fun because of that. The first was just a novelty act, like, 'The kid from Reality Bites wrote a book? Who does he think he is?' And I understand that.

 

Ethan Hawke

 

Ever since I was a boy, I've been fascinated by crazy science and such things as perpetual motion machines and logical paradoxes. I've always enjoyed keeping up with those ideas. I suppose I didn't get into it seriously until I wrote my first book, Fads and Fallacies in the Name of Science. I was influenced by the Dianetics movement, now called Scientology, which was then promoted by John Campbell in Astounding Science Fiction. I was astonished at how rapidly the thing had become a cult.

 

Martin Gardner

 

Yeah, the mythology is kind of a pattern. I'm very taken by mythology. I read it at a very early age and kept on reading it. Before I discovered science fiction I was reading mythology. And from that I got interested in comparative religion and folklore and related subjects. And when I began writing, it was just a fertile area I could use in my stories.
I was saying at the convention in Melbourne that after a time I got typed as a writer of mythological science fiction, and at a convention I'd go to I'd invariably wind up on a panel with the title "Mythology and Science Fiction". I felt a little badly about this, I was getting considered as exclusively that sort of writer. So I intentionally tried to break away from it with things like Doorways in the Sand and those detective stories which came out in the book My Name Is Legion, and other things where I tried to keep the science more central.
But I do find the mythological things are creeping in. I worked out a book which I thought was just straight science fiction -- with everything pretty much explained, and suddenly I got an idea which I thought was kind of neat for working in a mythological angle. I'm really struggling with myself. It would probably be a better book if I include it, but on the other hand I don't always like to keep reverting to it. I think what I'm going to do is vary my output, do some straight science fiction and some straight fantasy that doesn't involve mythology, and composites.

 

Roger Zelazny

 

Following the pattern set by Julius Caesar in The Gallic War, Churchill wrote books to vindicate policy; but he may also have made policy with an eye toward writing books. If so, the implications are alarming. Did Churchill conceive bold operations, such as the disastrous 1915 Dardanelles offensive, because these would make exciting episodes in the text of his life? A. J. Balfour once joked that Winston had written an enormous book about himself and called it The World Crisis. Was there more truth in that joke than we have so far known?

 

Mark Riebling