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Crazy people do not apply the principle of scientific parsimony... they shoot for the baroque.

 

Philip Kindred - a.k.a. PKD Dick

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In the city of Denver, while I was vice-president, a big husky policeman kept following me around until I asked him what he was doing. He said he was guarding my person. I said: "Your labor is in vain. Nobody was ever crazy enough to shoot at a vice-president. If you will go away and find somebody to shoot at me, I'll go down in history as the first vice-president who ever attracted enough attention even to have a crank shoot at him."

 

Thomas R. Marshall

 

The application of scientific formulations of the principle of probability statistically determined is thus a logical corollary of the principle already stated, that the subject matter of scientific findings is relational, not individual. It is for this reason that it is safe to predict the ultimate triumph of the statistical doctrine.

 

John Dewey

 

What I was actually trying to do in my early movies was show how people can meet other people and what they can do and what they can say to each other. That was the whole idea: two people getting acquainted. And then when you saw it and you saw the sheer simplicity of it, you learned what it was all about. Those movies showed you how some people act and react with other people. They were like actual sociological "For instance"s. They were like documentaries, and if you thought it could apply to you, it was an example, and if it didn't apply to you, at least it was a documentary, it could apply to somebody you knew and it could clear up some questions you had about them.

 

Andy Warhol

 

I would define the baroque as that style that deliberately exhausts (or tries to exhaust) its own possibilities, and that borders on self-caricature. [...] The baroque is the final stage in all art, when art flaunts and squanders its resources.

 

Jorge Luis Borges

 

Why Baroque? Because it is set in the Baroque, and it IS baroque. Why Cycle? Because I am trying to avoid the T-word ("trilogy"). In my mind this work is something like 7 or 8 connected novels. These have been lumped together into three volumes because it is more convenient from a publishing standpoint, but they could just as well have been put all together in a single immense volume or separated into 7 or 8 separate volumes. So to slap the word "trilogy" on it would be to saddle it with a designation that is essentially bogus. Having said that, I know everyone's going to call it a trilogy anyway.

 

Neal Stephenson