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Peter Ackroyd

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What captivity has been to the Jews, exile has been to the Irish. For us, the romance of our native land begins only after we have left home; it is really only with other people that we become Irishmen.
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Page 7.

 
Peter Ackroyd

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I always wanted to leave home. I never knew they were going to stop me from coming back. Maybe, if I knew, I never would have left. It is kind of painful to be away from everything that you've ever know. Nobody will know the pain of exile until you are in exile. No matter where you go, there are times when people show you kindness and love, and there are times when they make you know that you are with them but not of them. That's when it hurts.

 
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No author, without a trial, can conceive of the difficulty of writing a romance about a country where there is no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily the case with my dear native land. It will be very long, I trust, before romance writers may find congenial and easily handled themes, either in the annals of our stalwart republic, or in any characteristic and probable events of our individual lives. Romance and poetry, ivy, lichens and wallflowers need ruin to make them grow.

 
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In my view, Anglo-Irish history is for Englishmen to remember, for Irishmen to forget.

 
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"It is hard to spend one’s fifteenth Easter away from his native country. If throughout the year of an exile's life one constantly feeds on longing as if it were his daily bread, on solemn holidays this longing becomes doubled and I can think of nothing but my country.[...] I tell you that when my native land loomed closer to me than my old age, I did not care about it [...]; today, when I see my old age closer to me than my country, I feel so much the worse for it."

 
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However long we live here, however much I feel at home in Miami, I -- like everyone else -- am an exile, an exile who cannot go home.

 
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