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Are physical forces alone at work there, or has evolution begotten something more complex, something not unakin to what we know on Earth as life?
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Percival Lowell

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Looked at from the perspective of twentieth-century earth, we see three great stages in the dynamic process of the universe. To this whole process, as it spreads out over perhaps ten billion years of time and ten billion light years of space, we give the name evolution, and we see three great patterns within it. The first is physical evolution. This presumably started with the development of the most elementary particles (whatever they may be); then of neutrons, protons, electrons, and radiations; then of elements from hydrogen to uranium and beyond formed by combining protons and electrons; then of chemical compounds; then finally of increasingly complex molecules from amino acids, and proteins to the great watershed of DNA, the beginnings of life.

 

Kenneth Boulding

 

This is the last programme in this natural history, and it's very different from all the others because it's been devoted to just one animal: ourselves. And that may have been a very misleading thing to have done. It may have given the impression that somehow man was the ultimate triumph of evolution, that all those thousands of millions of years of development had no purpose other than to put man on Earth. There is no scientific evidence whatsoever for such a belief. No reason to suppose that man's stay on Earth should be any longer than that of the dinosaurs. He may have learned how to control his environment, how to pass on information from one generation to another, but the very forces of evolution that brought him into existence here on these African plains are still at work elsewhere in the world, and if man were to disappear, for whatever reason, there is doubtless somewhere some small, unobtrusive creature that would seize the opportunity and, with a spurt of evolution, take man's place. But although denying a special place in the world may be becomingly modest, the fact remains that man has an unprecedented control over the world and everything in it. And so, whether he likes it or not, what happens next is very largely up to him.

 

David Attenborough

 

The significance of a work of art is determined then by the quality of its growth. This involves intangible forces inherent in the process of development. Although these forces are surreal (that is, their nature is something beyond physical reality), they, nevertheless, depend on a physical carrier. The physical carrier (commonly painting or sculpture) is the medium of expression of the surreal. Thus, an idea is communicable only when the surreal is converted into material terms. The artist’s technical problem is how to transform the material with which he works back into the sphere of the spirit.

 

Hans Hofmann

 

All life has a kind of seamlessness. All creatures have to be aware of their environment, and there has been an evolution of the capacities needed for detecting increasingly complex stimuli. I have no problem calling this "meaning," since all creatures pick out meaningful facets of their environment. For the first creatures, these facets were physical and mediated by receptor proteins. Sperm and eggs find each other by protein shapes; photosynthetic bacteria find light by protein shapes. The impetus to figure out what's going on is still very much programmed into our highly complex brains.

 

Ursula Goodenough

 

We have since defined Gaia as a complex entity involving the Earth's biosphere, atmosphere, oceans, and soil; the totality constituting a feedback or cybernetic system which seeks an optimal physical and chemical environment for life on this planet.

 

James Lovelock